A Quote by Annie Leibovitz

As you get older, you have different tools, and you learn to use photography differently. — © Annie Leibovitz
As you get older, you have different tools, and you learn to use photography differently.
By making pictures, you learn the many different properties of photography. I use those properties differently than, say, an advertising agency would, but we're both operating in the same reality. A face painted by Picasso occupies the same reality as a portrait by Stieglitz.
There is no avoiding the realities of the information age. Its effects manifest differently in different sectors, but the drivers of speed and interdependence will impact us all. Organizations that continue to use 20th-century tools in today's complex environment do so at their own peril.
Machinery is aggressive. The weaver becomes a web, the machinist a machine. If you do not use the tools, they use you. All tools are in one sense edge-tools, and dangerous.
Something that's interesting is how my perspective on different events can change over time even though the events themselves haven't changed. As I get older, I interpret something differently, or I can even interpret a person differently.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
We get older, we get more mature and stronger mentally. You learn to deal with different situations.
I feel more like a creative artist using photography because there's - the digital work is so interesting now. It's come to that. I have had many different stages of photography - there are many different ways to take photos. But I feel now I'm in that stage of my life where I use the camera, you know, in that way.
As you get older and as your situation changes, it becomes different. Yes, I have to provide for my family, so if there's a chance that I'm not going to be able to provide for my family, who is always number one, my kids are always number one, then yeah, maybe it's not the same. But like I said, everybody's boiling point is different and you get to that point differently and you're at peace with it.
We are all shaped by the tools we use, in particular: the formalisms we use shape our thinking habits, for better or for worse, and that means that we have to be very careful in the choice of what we learn and teach, for unlearning is not really possible.
My parents were Hungarian immigrants; my father was a tailor and we lived in the back of a tailor store. And that was my first inkling of what it was like to be raised in America. It had a profound effect on me - I saw different people coming in all the time with different attitudes and I liked it. And as I grew older, I found that I was able to use something inside of me to get some sympathy if I wanted it. I used to shine shoes, and I would use a waif-like look. I'd get a dime and I'd be as happy as could be.
Love makes you see a place differently, just as you hold differently an object that belongs to someone you love. If you know one landscape well, you will look at all other landscapes differently. And if you learn to love one place, sometimes you can also learn to love another.
We have the tools, but we have to learn how to use them. That is my political philosophy.
I think the equipment you use has a real, visible influence on the character of your photography. You're going to work differently, and make different kinds of pictures, if you have to set up a view camera on a tripod than if you're Lee Friedlander with handheld 35 mm rangefinder. But fundamentally, vision is not about which camera or how many megapixels you have, it's about what you find important. It's all about ideas.
I suppose the more you have to do, the more you learn to organize and concentrate-or else get fragmented into bits. I have learned to use my 'ten minutes'. I once thought it was not worth sitting down for a time as short as that; now I know differently and, if I have ten minutes, I use them, even if they bring only two lines, and it keeps the book alive.
Great programmers learn how to program their tools, not just use them.
We all get motivated differently and I think as you get older, you'd be foolish not to draw on your experiences from the past.
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