A Quote by Annie Parisse
I guess the reason that I'm a horror fan is that I think it gives people the opportunity to enjoy the feeling of being scared in a safe environment. I think that's why, for all of human history, we've been telling each other scary stories: because it exorcises something that we need to exorcise in a safe place.
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I'm not a horror fan. I'm an anti-horror fan. I think horror fans feel deep down in the pit of their souls, they feel safe, and therefore bored. And therefore they want to be scared.
Crime stories are our version of sitting round a camp fire and telling tales. We enjoy being scared under safe circumstances. That's why there's no tradition of crime writing in countries that have wars.
Safe sex, safe music, safe clothing, safe hair spray, safe ozone layer. Too late! Everything that's been achieved in the history of mankind has been achieved by not being safe.
Everyone wants to be safe. Well, I got news for you: You can't be safe. Life's not safe. Your work isn't safe. When you leave the house, it isn't safe. The air you breathe isn't going to be safe, not for very long. That's why you have to enjoy the moment.
I think all kids feel that their lives are tough, and that they've, been given an unfair shake for one reason or another. So I think there's a lot of kids who relate to my story. They also relate to the fact that I got out of it. And I tell them that my refuge from all that was books - the library was my safe place. And the art room was my safe place because there I knew what I was doing.
I enjoy telling these stories that I ultimately think get a disservice on a lot of network television. I enjoy getting people to change their perspective. I enjoy pushing myself into learning and understanding things from a very different point of view. It's scary to do that. It's scary to kind of put yourself in somebody else's position.
I think people in the fasion industry need to listen more and not look the other way when someone has a voice. We need to stop sending girls and boys to photographers or professionals who are known to be abusive. There should be a much more controlled environment in place for young models to protect them, and this should be led and supported by professionals in the industry. We need to create an environment in which models feel safe sharing information about their on-set experiences, instead of being silenced.
I keep myself safe both physically and emotionally in my working environment by 'being one of the boys.' In my head, subconsciously, that was my safe place.
When I think about people coming out, especially young people, my first concern is, 'Are you safe? Is this a safe time? Are you in a safe place?' Do you have a network of people outside of your parents you can go to if this doesn't go as well as you hoped?
I've done a few interviews where I realized that 9/11 was the ultimate home invasion, not to be glib about it. You know, where the place that you think is safe and the people that you think are safe and far from evil are suddenly just slaughtered by it, and you have no control over it.
I don't think America is a safe place for Americans, if you want to know the truth. I don't think Bruss - England or I don't think that Europe is a safe place. No, I don't. I think there are a lot of problems in Europe that are very, very severe.
Indifference is the saddest state of being. It's like PTSD - you're not gonna fight, you're not gonna run, you're just frozen there, feeling nothing. It's very easy to have conversations when you're sitting there feeling nothing, to talk about the weather or what you had for lunch, to Instagram what you had for lunch. We're all suffering from trauma. This world is so crazy. How do we feel safe here? I think that's the question everybody's asking, "What do I need to do to feel safe? Like I'm okay?" I don't think there's anything wrong with that.
I really unfortunately don't have tons of hilarious Sundance stories, because really I am not the biggest fan of hanging out, but the reason why is because I never go see other people's movies and I think that's the way to do it.
Some people ask why people would go into a dark room to be scared. I say they are already scared, and they need to have that fear manipulated and massaged. I think of horror movies as the disturbed dreams of a society.
I think the general anxiety of the 1960s - '70s spawned our interest in the living dead. When people worry about the end of their world, they need a safe vessel for all their fears. Zombies provide that vessel because they're 'safe.
I think the general anxiety of the 1960s - '70s spawned our interest in the living dead. When people worry about the end of their world, they need a safe vessel for all their fears. Zombies provide that vessel because they're 'safe.'
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