A Quote by Annie Proulx

You know, one of the tragedies of real life is that there is no background music. — © Annie Proulx
You know, one of the tragedies of real life is that there is no background music.
There are only two potential tragedies in life, and dying young isn't one of them. These are the two real tragedies: If you go through life and you don't love ... and if you go through life and you don't tell those whom you love that you love them.
Surveys of thousands of gamers have shown that they're more likely to play real music if they play a music videogame. So it's an interesting relationship where the games aren't replacing something we do in real life, they're serving as a springboard to a goal we might have in real life, like learning to play an instrument.
Jews know the Palestinians. And they know they're not really different. And they know they are from the same background. And they know if they coordinated that they could be an economic success and a real basis for a rebirth in the Middle East.
Congress can prevent future tragedies by requiring a background check for every gun purchase in America.
I've had a lot of big impacts before the music as far as deaths and tragedies and experiences in my life.
All my music is autobiographical, and that's the reason why people like my music. They know when I'm saying something on a song, I mean it. It comes from a real place and captures the realness in my life.
I didn't come from a combat sports background where I had a real definitive background in anything to fall back onto.
When you listen to my music, you're going to know that you're getting the real me, my real thoughts and feelings... I want people to be like, 'Oh, he's fresh out with his music for it to be this good.'
People hear me talk and they know my background and they immediately stereotype me as being a real, real country guy, and that's the right stereotype. But you also want people to know you're a little broader than that, too.
You know the trouble with real life? There's no danger music.
But it is only in epic tragedies that gloom is unrelieved. In real life tragedy and comedy are so intermingled that when one is most wretched ridiculous things happen to make one laugh in spite of oneself.
My background is in VFX, and I know from experience that the best VFX are when you have something real in the frame that you can either extend or work off of. It was really important to get as much as possible in camera, for real.
It often happens that the real tragedies of life occur in such an inartistic manner that they hurt us by their crude violence, their absolute incoherence, their absurd want of meaning, their entire lack of style.
I had a drummer in my band who started teaching me tricks to come up with interesting rhythms. Because I don't come from a musical background, I've never studied music, and I don't know music theory at all, so a lot of stuff I discover on my own are things students would learn in the first grade of music.
If you took music out of my life, I don't know what I'd do. It's the one thing that I have a real passion for.
I come from a background of experimental music which mingled real sounds together with musical sounds.
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