A Quote by Annie Proulx

In a rough way the short story writer is to the novelist as a cabinetmaker is to a house carpenter. — © Annie Proulx
In a rough way the short story writer is to the novelist as a cabinetmaker is to a house carpenter.
I've been wrestling with Kafka since I was an adolescent. I think he's a great aphorist, a great letter writer, a great diarist, a great short story writer, and a great novelist - I'd put novelist last.
I'm a competent novelist. I'm getting better. But I'm a really good short story writer.
I guess I would say that most of what I've learned about storytelling derives from novels and short stories. I cannot think of a novel or story, or a novelist or story writer, who thinks in terms of three-act structure.
The short story, it's not a step on the way to becoming a novelist.
Well, to be honest I think I'm a better short story writer than a novelist. Novels I find very hard, hours and hours, weeks and weeks, of conscious thought - whereas short stories slip out painlessly in a few days.
I've been many kinds of writers in my career: novelist; tele-playwright; short story writer. As a high-school student, I wrote amateur pieces for fanzines, and I've written for Hollywood.
For a short-story writer, a story is the combination of what the writer supposed the story would likely be about - plus what actually turned up in the course of writing.
I'm a novelist, editor, short story writer. I also teach, and I freelance sometimes as an arts consultant. Most of my books have been published by Warner Books, now known as Grand Central Books.
I always wanted to be a writer, and I did want to be a novelist. In college I took a couple of classes that taught me I would never be a novelist. I discovered I had no imagination. My short stories were always thinly veiled memoir.
A short story is a sprint, a novel is a marathon. Sprinters have seconds to get from here to there and then they are finished. Marathoners have to carefully pace themselves so that they don't run out of energy (or in the case of the novelist-- ideas) because they have so far to run. To mix the metaphor, writing a short story is like having a short intense affair, whereas writing a novel is like a long rich marriage.
To speak today of a famous novelist is like speaking of a famous cabinetmaker or speedboat designer. Adjective is inappropriate to noun.
A short story is a writer's way of thinking through experience... Journalism aims at accuracy, but fiction's aim is truth. The writer distorts reality in the interest of a larger truth.
I studied the short story as part of my creative writing course at university but then set off as a novelist. Generally, there is a sense that even if you want to write short stories, you need to do a novel first.
I've always loved short stories. Even before I was a writer I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me. Alice Munro, I felt that way about from an early time. Grace Paley.
I was a carpenter in Northern Vermont and got this tax refund check that just about covered a one-way airfare to London. So this I saw as a sign from God. So I went over to see Ray [Hussett] for a couple of weeks and ended up staying 10 years. I got work as a stage carpenter at the Oval House in Kennington, South London.
Detach the writer from the milieu where he has experienced his greatest sense of belonging, and you have created a discontinuity within his personality, a short circuit in his identity. The result is his originality, his creativity comes to an end. He becomes the one-book novelist or the one-trilogy writer.
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