A Quote by Annie Sprinkle
In my theater pieces, I would do "Tits on the Head" - Polaroid photos for $10 on the stage. There would be a line of folks paying me $10 for their turn. It was public prostitution. I turned my whole audience into johns. But because it was in a theater context, an art context, it was socially acceptable.
Related Quotes
I expect at some point I'll probably want to go back on stage and do some theater, because I've not done theater in 10 years.
We used to play in a theater club in London called The King's Head. When the theater let nut, around 10:00 P.M., we'd be ready to go and really get it on for about an hour or so.
I wasn't even in a theater because I guess nobody believed in me, so I was in the hallway of a theater on a platform that they would move so the main stage show could go on at eight o'clock and I'd be gone.
I never dreamed that I would hear 10,000 people screaming when I stepped out onto a stage. Well, that's not entirely true. I dreamed about it but in a performing-on-the-stage-at-Staples-Center-or-Madison-Square-Garden context. But never in a I'm-in-a-movie-that-hasn't-even-come-out-yet one.
In terms of theater, I would love to go back to do theater. If I could find something for me to do that fits in with the 'Psych' off-season, I'm game. I would like to do theater where I get to act and dance.
At the moment, my trajectory isn't to think about acting. I'm absolutely devoted to The Imaginarium, our projects and directing. And watching and enabling other actors do their thing in our studio is hugely rewarding. I expect at some point I'll probably want to go back on stage and do some theater, because I've not done theater in 10 years.
The whole world has become a crowded theater. You could say something here in New York and have it be heard in Afghanistan and potentially trigger riots and it may be something that to you was innocent or was in jest or was satirical and it's taken out of context. I mean, a joke, a tweet or a blog post can make it halfway around the world before the context gets its boots on.
My mother was an extraordinary theater actor in Canada, and when I would finish school, I would go to the theater. I would do my homework, we would have dinner there, she would do her play, and then me and my sister would go home. So I grew up in it that way.
I like the boundaryless potential you get when you make work for a context that is open to interpretation. Thinking about an art context is too claustrophobic, though. I always hope that at least half my audience is not directly related to the art world. I use art as a balancing act. It's a good way of avoiding everyday chores and social obligations.
Well, there’s 10 - there’s 10 different - there’s 10 different titles, you know, to the Civil Rights Act, and nine out of 10 deal with public institutions. And I’m absolutely in favor of one deals with private institutions, and had I been around, I would have tried to modify that.
I started in the theater when I was 10, so I grew up in the theater and was very used to that, but I love movies and television, also, obviously.
The truth is, unlike TV and film cameras, the theater stage doesn't add 10 pounds.
I designed a theater magazine that was full of plays and essays about the theater, and then I worked at a theater school. By osmosis or something, I was learning from reading plays and not being analytical about them, but when I would read them, the joy in me was mostly from imagining them in my head and visualizing them.
I think one of the things that is important, for me, though a lot of people would disagree with me, is that you be founded in theater so that you understand what an audience is, what kind of an animal it is and how to play with it. How to have fun with it, how to sympathize with it, all the things that an audience is. I don't think you're going to find that out unless you do theater.
I don't really discriminate with my art. To me, it's my art, and it's to be expressed through whichever medium is there, whether it's treading the boards in the theater, on the small-screen TV, or on the large screen. I love theater, and it's definitely something I would love to do.
Edward Albee, the premier dark playwright of the American theater, would show up at rehearsal and quote his favorite lines from 'Auntie Mame'. He would stand at the back of the theater, not facing the stage, and sort of conduct the music of his play.
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