A Quote by Annie Sprinkle
My whole purpose is to bring what's hidden out in the open so people can look at it and discuss it. And sexually oriented material is very important to study in an academic setting. Controversy is part of the fun.
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I will do a lot of research and create a lot of material for use in one painting. And then I go on discovering and working with a whole other range of material in another painting. I'm interested in a fairly comprehensive and orchestrated synthesis that might bring about a new situation consisting of this hidden material. I'm interested in hidden source material.
That was part of the whole original concept. We were thinking, it's off-season, let's do a really fun, local-oriented event, raise money for good causes and bring some music to the valley.
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
An actor that tells you that they have real choices between material is, for the most part, lying. There are very few people that have opportunities. But what you do have where I am in my career, is saying no to the things that seem repetitious. For me, I always look for material that allows me to bring my worldview to it. And those opportunities, since the beginning of The Shield, have grown exponentially.
Donald Trump moves in two parallel tracks at the same time. There's the controversial political guy that's always out there with his tweets. He comes from a showbiz background, as well as a very successful career in finance and real estate. He loves sometimes the controversy more than some people - the press thinks they're totally aggravating him. He sometimes thrives on the public controversy and the hitting back. Meanwhile, he's very results-oriented. He knows that the American people are going to judge him by his performance on the economy, on jobs, on national security.
With all do respect, senator, I don't think this is an appropriate setting for me to discuss that issue. I'd be more than glad to come back in an appropriate setting to discuss the issues that you have raised.
I've always put out positivity, and I've always been very open and proud throughout my whole career, and at no point have I ever tried to cause controversy or just say something that wasn't totally in support of everyone in the community.
Self-censorship has become a part of me. I think because we live in a place where community is very important, family is very important, you feel the weight of how people look at you. Even though I might seem very modern and very liberated, I still have a lot of issues to deal with. I'm scared of how people look at me.
My country and me, we are part of this region, we're not separated. We cannot discuss it as Syria or as me ; it should be as part, as a whole, as comprehensive. That's how we have to look at it.
Although goal setting can clearly be overdone, only a few people are overly involved with goals and goal setting; most people do far too little goal setting, including the reflecting that precedes the setting of such goals. Too many marriages have financial goals but not other explicit goals. Yet the gospel is certainly goal-oriented.
I'm an ER doctor, period. I look at a problem with a certain lens: very action-oriented, very results-oriented.
I think a setting is hugely important. I look at setting as a character with its own look, sound, history, quirks, goofy temperaments and moods.
The process that we go through in recording with Tool is very organic, but at the same time it is very thought out. There is a very left-brain process of dissecting what we're doing and drawing from source material; it's very research oriented and esoteric.
A design may be called organic when there is an harmonious organization of the parts within the whole, according to structure, material, and purpose. Within this definition there can be no vain ornamentation or superfluity, but the part of beauty is nonetheless great-in ideal choice of material, in visual refinement, and in the rational elegance of things intended for use.
In my own work, I'd say I'm a classicist, but I look everywhere for my solutions. I don't study the toilet-living habits of my clients, although that's a popular approach. First, I think of every building in history that has been similar in purpose. Then I think of the functional program - that's a major part of the study.
I grew up in a family that was multifaceted, sexually oriented, and pretty much open to everything. And because I was working, my friends were all adults. I had a tough time going to different schools because people knew me from films and I was the fat child who got beaten up every day.
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