I went to a really small school, and it had a really small theater department. They didn't talk about Broadway. I learned about it through watching the Tony Awards.
I remember watching the Tony Awards as a young girl, thinking I would never get that far but, in my heart, wanting so badly to perform on Broadway and defy the expectations of my small town.
I grew up in Lancaster, Pennsylvania, watching the Tony Awards on TV. Not just 'watching' the Tony Awards on TV - I would record them on a VHS tape and bring them in to school and show them to the other kids.
I didn't take theater or anything. We didn't have a very good theater program. It was in western Utah - was a really small school. It wasn't developed. We didn't have the funds to do anything like that, but I did act all through high school in films because Disney Channel would shoot movies out there.
I can remember riding in the car with [my daughter] Amelia, when she was very small, and we'd talk about money the same way we'd talk about sparkly shoes or what had happened at school.
I grew up in Pennsylvania in a small town. Real small, like one high school and one movie theater. Well, there was a state college there, that was the only good thing about it.
When I was at Lakeridge High School, in my junior and senior years, my choir and theater department raised money so we could go to New York and see Broadway shows. It really changed my life.
I really wanted to go to a city and get involved in a theater scene and a theater community. I had some friends who had moved out to Chicago and had said really good things about it and about the work. I didn't care at that time about making money.
I hate having to do small talk. I'd rather talk about deep subjects. I'd rather talk about meditation, or the world, or the trees or animals, than small, inane, you know, banter.
I was the teenage kid growing up in New Jersey watching the Tony Awards and thinking, 'Oh, maybe if I'm lucky I'll make it to Broadway by the time I'm 40!'
There's a mythical status to the Tony Awards. When you're growing up as an actor, you hear about Broadway and the Tonys, but it's not something you ever expect to experience.
I taught a class about the Tony Awards at a summer theater camp the year after I graduated from high school. So, the first time I was nominated for 'Spring Awakening,' it felt like a surreal dream: it was every childhood dream I had come true. It felt like a fairy tale.
I had a hard time when I came back to Sweden and started school, because I looked different. And we moved to a really small town on the west coast of Sweden, and there were no brown people around. It didn't really get any better until I started music school at about 10 years old.
My background is a small town with no movie theater. So... I always pictured myself onstage. I went to acting school and learned all the skills. I left early because I did my first movie and discovered that I really loved the minimalistic work with the camera.
It's so funny because when I talk about fashion and menswear designers, it's really like a small percentage of my head. I don't mind talking about it, but I always worry that it's gonna seem to the outside world that that's all I think about.
I was really shy and kept to the theater department. I was keeping my eyes down when I walked through the halls. So, no nemesis. Not in high school, anyway.
I was really lucky. I had a really great opportunity. I went to an all girls, very small private school from seventh grade all the way to graduating. It was so wonderful because the focus was school at school...and during the week I could be that nerdy bookworm of a girl, and do six hours of homework at night.