A Quote by Anohni
My idea with '4 Degrees' was to articulate, for a minute, not my ideal vision of how I wanted to perceive my relationship to nature but the reality. If I could give a voice to my behavior, what would that voice be? Taking planes, enjoying first-world fossil fuel, an addict of first-world comfort.
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But I'm pretty lucky with my voice. When I first started touring I went to see a woman to give me some coaching on how not to lose my voice. And she was just saying really your voice is a muscle so if you're using it all the time you should actually come back from tour with a stronger voice than you left with. And that's really how I find it.
I wanted to be Whitney Houston at first, and when I started taking voice lessons, my voice teacher kind of geared me more towards opera.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
It's not true that you should first think up an idea for a better world and only then "put it into practice," but, rather, through the fact of your existence in the world, you create the idea or manifest it - create it, as it were, from the "material of the world," articulate it in the "language of the world."
It is a fact that many of the wars and conflicts happening all over the world are aggravated or fought strictly for geopolitical fossil fuel energy interests, and many of the world's most dangerous regimes are funded by fossil fuel dollars.
The ability to walk in someone else's shoes, or in my case, play down in someone else's cleats is one of the very best things you can do. There's nobody in this world who doesn't have that voice in their head. Sometimes it's the best voice in the world, and it pumps you up, but sometimes the voice is down. I wanted my players to be able to hear my voice in their head instead of someone else's because I knew that was a narrative I could control.
When I was about forty-three years of age, I had a private secretary with a beautiful baritone voice. I told him I would give anything in the world if I could only carry a tune. He laughed and said, 'Anybody who has a voice and perseverance can sing.'
There were times, I could say, later in the career, that I wished that my voice would be deeper for materials that I might've wanted to select to do. But that's the style of my voice. There's nothing I can do about the heighth of my voice. And so I learned to deal with it.
There were times, I could say, later in the career, that I wished that my voice would be deeper for materials that I might've wanted to select to do. But that's the style of my voice. There's nothing I can do about the height of my voice. And so I learned to deal with it.
I have an interesting relationship with my voice. I give myself tons of freedom in how to engage with my voice because I respect it a lot.
I always imagine the world and myself above it and how minute one negative person's voice is in comparison to the amount of people that are in the world.
I'm super and very openly obsessed with voice-over. 'In a World...' was my love letter to the industry of voice-over. And in a way, I sometimes think of it as a 93-minute audition to the voice-over industry to say, 'Hey. Consider me!'
I always wanted to make sure that I was honest to myself and that people wanted to hear an opinion that was authentic... I wanted Man Repeller to be a voice for women who felt like they didn't have a voice or for women who didn't know how to express their voice.
Home is the center of my being where I can hear the voice that says: 'You are my Beloved, on you my favor rests' - the same voice that gave life to the first Adam and spoke to Jesus, the second Adam; the same voice that speaks to all the children of God and sets them free to live in the midst of a dark world while remaining in the light.
I was probably 35 when I wrote the first story. The voice is kind of a mix in that it has a young voice, but it's also someone who's looking back. I like that kind of double vision.
Basically, the UBR is a relic of an earlier vision for UDDI. The original vision for UDDI was as a standard that would help companies conduct business with each other in an automated fashion. The idea was that companies could publish how they wanted to interact, and other companies could find that information and use it to establish a relationship.
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