A Quote by Anohni

There have been points in my life as an artist where I have wanted to capture people's attention, probably to compensate for times when I felt invisible. — © Anohni
There have been points in my life as an artist where I have wanted to capture people's attention, probably to compensate for times when I felt invisible.
I felt invisible in my family, and I wanted to be significant like my brothers were significant. I wanted my parents to pay attention, so I went out into the world with that driving me, that grasping, that seeking validation.
I knew I was a good singer - I've been singing my whole life, so I was comfortable enough with that - I felt like I could compensate with not being great on guitar.
I wanted to be as invisible as possible as an artist. I wanted to differentiate between myself and who I'm writing about.
He’d spent his life being a perfect gentleman. He’d never been a flirt. He’d never been a rogue. He hated being the center of attention, but by God, he wanted to be the center of her attention. He wanted to do the wrong thing, the bad thing. He wanted to pull her into his arms and carry her to her bed. He wanted to peel every last inch of her clothing from her body, and then he wanted to worship her. He wanted to show her all the things he wasn’t sure he knew how to say.
I felt as if there were invisible threads connecting us - I felt the invisible strands of her hair still winding around me - and thus as she disappeared completely beyond the sea - I still felt it, felt the pain where my heart was bleeding - because the threads could not be severed.
I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life.
I had the global outlook that I really wanted to capture the world. I would like the attention of the world at least and I wanted that.
We wanted to bring attention to the fact that we had so many deals taking place that we could have made change for the better for all people, and we felt that we would be a catalyst to bring this to attention to society.
I've always known and been interested in people who are a little bit off the norm. I like to call attention to the idea that they are there, that they are real people, not invisible.
I felt in college I wanted tattoos. I'm really glad I didn't. I was broke. I would've been bargain shopping for a tattoo artist.
A teenager usually wants to try to get people to notice him in some way, to feel like someone gives a damn. Me, all that attention, I just wanted to fade into the background. Be invisible. Disappear.
If you don't connect yourself to your family and to the world in some fashion, through your job or whatever it is you do, you feel like you're disappearing, you feel like you're fading away, you know? I felt like that for a very very long time. Growing up, I felt like that a lot. I was just invisible; an invisible person. I think that feeling, wherever it appears, and I grew up around people who felt that way, it's an enormous source of pain; the struggle to make yourself felt and visible. To have some impact, and to create meaning for yourself, and for the people you come in touch with.
This joyfulness that I felt when I sang, and this need to communicate with people, these are my two strongest points. I've always been a people person. I love people; I like to be with people, and when I got on stage, I was home free.
My attention span was quite short and I just wanted to use a lot of beautiful words. When I read a poem like 'Howl', or 'Lady Lazarus' by Sylvia Plath, I felt myself being moved - I wanted to do that for other people.
I can look back at different times in my life when I felt I could not find my way out of whatever it was. I'm not necessarily talking about marriage, but I wanted to pack it in. I wanted to disappear. A lot of that has to do with being in the public eye.
Being able to hear an artist and emulate them has been a huge part of being successful as a producer and co-writer. I think it's a problem when a producer comes in to work with an artist, and you can't hear the artist as well anymore. It's very important to me to be invisible.
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