A Quote by Anoushka Shankar
I hope it isn't exclusively true, but I often find that collaboration is the best way... to reach my highest musical place. Because I get so inspired by another good musician; I feed off that.
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One musician listens to another musician, and you get inspired and then you do your thing, but it's yours.
A musical, in its true form, is where emotions reach a height where true spoken word cannot be enough, and you must sing. That's all it is. It's not posh; it's not out of your reach. It's the most visceral way to tell a story.
Will you seek afar off? You surely come back at last, In things best known to you, finding the best, or as good as the best, In folks nearest to you finding the sweetest, strongest, lovingest; Happiness, knowledge, not in another place, but this place-not for another hour, but this hour.
All great inventions emerge from a long sequence of small sparks; the first idea often isn’t all that good, but thanks to collaboration it later sparks another idea, or it’s reinterpreted in an unexpected way. Collaboration brings small sparks together to generate breakthrough innovation.
I'm not an advocate of true rhymes, I don't think. I think that everyone who writes musical theater needs to know how to do true rhymes, because that's the tradition of it, but I do think that in order for the art form to grow, it's important to not let tradition get in the way of innovation. There's all kinds of reasons not to use true rhyme in a lyric, like with off-color humor.
Get your mind unbound and free; and then from the loosest, highest, best place you have, with the fastest and most humorous mind you can get together, you can reach out and make a try at understanding Spirit.
I was doing that [a collaboration with Kurt Cobain] to try to save his life. The collaboration was me calling up as an excuse to reach out to this guy. He was in a really bad place.
I hope people are reading my work in the future. I hope I have done more than frightened a couple of generations. I hope I've inspired a few people one way or another.
The best gift you can ever give your mentor is to grow. They feed off your growth. I believe that everyone has the seed of success inside, but too many people can't find it in themselves and as a result do not reach their potential. But there are those whose purpose in life is to fertilize the seed of potential in another, who are rewarded by seeing that person grow and blossom before their eyes. Raising up others to a higher level is a mentor's joy and sustenance.
Route 192 is its own thing, and you can't find that anywhere else. The colors and shapes of the buildings, the way that all the small businesses in a way feed off of the parks and sort of rip off the themes of Disney - you're not going to find that anywhere else.
First of all, I think that is true, if you are a musician, particularly on the come, that you do have to end up in one of these musical centers, some way, to be viable, saleable and so on.
I just hope we can find our way back to engaging with one another, arguing strongly with one another, and then going down and having a root beer together or something and - and having a good laugh about it as we work together for the best interests of the next generation of Americans who are going to inherit this country.
I'm not a poet. I'm not up onstage to get something off my chest. I'm making musical statements, or, most of the time, musical questions for people to figure out, and I'm not going to get in the way of that.
Girls who stay true to themselves manage to find some way to respect the parts of themselves that are spiritual. They work for the betterment of the world. Girls who act from their false selves are often cynical about making the world a better place. They have given up hope. Only when they reconnect with the parts of themselves that are alive and true will they again have the energy to take on the culture and fight to save the planet.
Looking back, I feel bad for treating the girls the way that I have. I just hope that he knows that I'm a good person and I hope it doesn't get in the way of what could be, like, the best thing that's ever happened to me.
Notes are tricky in an audition, because I find, more often than not, my instinct is right. If they have a preconceived notion about the role and it goes against my instinct, unless it makes sense to me, it often throws off what I'm trying to do. Though sometimes they have an insight that I don't because they've been living with the script. I don't have one feeling or another about notes, but it is always a little bit of a red alert when I get one in an audition.
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