A Quote by Anoushka Shankar
There's a very primal, emotional response I feel when I hear flamenco.
Related Quotes
I feel like flamenco is part of this Latin music culture. It's from Spain, but flamenco has always been connected to Latinoamerica.
The flamenco of the Gypsy has nothing to do with the flamenco for tourists. Real flamenco is like sex.
My music pulls from flamenco plenty; it wouldn't make sense without that genre. I also have a lot of love for flamenco and I'm very happy if I can be an ambassador for it.
I discovered flamenco when I was 14, before I even got involved with jazz music. I was so crazy about flamenco music. I wanted to be a flamenco guitar player.
The expressive body is not literal; it's very primal, and that's what I feel when I make the best of my work. It's coming from a primal place rather than an intellectual place.
Our lives are pretty calm. Merging on the freeway in the closest you get to risking your life. So what’s missing now is that primal emotion of being scared to death, and I think that’s why people crave thrills like roller coasters or scary movies. They give you the chance to feel this very primal emotion in a very controlled environment.
Our lives are pretty calm. Merging on the freeway in the closest you get to risking your life. So what's missing now is that primal emotion of being scared to death, and I think that's why people crave thrills like roller coasters or scary movies. They give you the chance to feel this very primal emotion in a very controlled environment.
The very same brain centers that interpret and feel physical pain also become activated during experiences of emotional rejection. In brain scans, they light up in response to social ostracism, just as they would when triggered by physically harmful stimuli. When people speak of feeling hurt or of having emotional pain, they are not being abstract or poetic, but scientifically quite precise.
I have received emails from readers who have said that they were emotionally impacted by the books, and they feel they are more environmentally aware and energized to do more. So that's hopeful to me. It is at least evidence of what I'm trying to do - trying to convey very intense emotional experiences by being very close in on character points of view to make you feel it in your body. That's one way to get the point across, by evoking a visceral response.
Flamenco was probably the first music that I may have heard as a baby, because my father played flamenco.
As far as current inspiration, I'm listenting to a lot of flamenco, because the techniques used for flamenco can be adapted to playing bass.
It takes 90 seconds from the time we have a thought that is going to stimulate an emotional response. When we have an emotional response it results in a physiological dumpage into our bloodstream. It flushes through and out of our body in less than 90 seconds.
The most common response I hear when I tell people I teach meditation is, "I'm so stressed out. I could use some of that!" A response I also sometimes hear, which amuses me a lot is, "My partner should really meet you!"
Some psychologists argue that the idea of God is a response to our emotional needs, but this presumption is backwards. Our emotional fluctuations are a psychological response to our lack of love for God. If God is everything, what else could we possibily want?
When you tell people, your world changes, your identity changes and people treat you differently. And then, not only do you have to deal with your own emotional response to what's going on, but you take on everybody else's emotional response.
Sometimes it's binge eating as a method to handle emotional pain. I'll also write very sporadically - music, lyrics - to identify the problem. There are a few cathartic processes I've alternated randomly. There's no default. Each emotional experience elicits a different, possibly new response.
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