A Quote by Anoushka Shankar
Someone like my father will improvise as much as 90% of the music in concert, but with me it's maybe 10 to 20%. It's sort of the test of how great someone is, the more they can improvise correctly and still be true to the raga they're playing, and still keep it new and fresh the whole time.
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In theatre you can't ad lib, so you want to pick really good material, like David Mamet or Shakespeare or whatever. You want to be really careful about what you do. But in the movies, you do have more wiggle-room. You do have more opportunities to improvise. It's fun to improvise, but I still think it's better to have a great script.
I've always thought that I'm not really a guitar player, but I just practised so much that I developed into a kind of a bit of a musician, but I've often doubted my musical ear. If someone sings me a melody, I have to improvise on that melody, because I can't retain the information they've given me. That's why I still practise today, I suppose, because I still feel inadequate.
Any time you're nominated for anything, it's a true blessing and something you should be really excited about, but it's sort of time to not be considered new anymore because I don't really feel like I'm new. I'm just glad people still see me as fresh. I wish there was a 'fresh country artist category' rather than 'new.'
I always feel like I learn more from directors that are new, and I also am able to understand how much I really do know about filmmaking when you work with directors that maybe don't have as much experience, so you're able to sort of take the reins. I know how to do these movies, I've done so many of them and have learned from new directors who are usually willing to try new things and are more open to allowing someone like me to kind of come in and just do what I know how to do.
When I started writing 'My Struggle,' my father was still an issue: someone I had in me every day, someone I would dream about - he was still a part of me. He was such a huge figure for me, and now he is just one among many, and that feels like a relief.
Can you say that in 20 years people would still use the iPhone? Maybe not. Maybe we'd have a new product or something more innovative. What I can say today is that, in 20 years, I'm quite convinced that people will still drink Dom Perignon.
There are certain things in the scripts that need to be planned: you know, big stunt sequences, battle sequences... you can't improvise that stuff. You can improvise when there's just two of you standing in a kitchen and the most dramatic thing that's going to happen is someone's going to open the fridge.
I love art so much because of curiosity. At the start of a painting, I know 10 percent of what the painting will be, and then I have to improvise the whole thing.
I have great faith in the actors. When they improvise, it always sounds better than the stuff I write in my bedroom. When they improvise, they make it sound alive.
In this troubled world, it's refreshing to find someone who still has the time to be kind. Someone who still has the faith to believe that the more you give, the more you receive. Someone who's ready by thought, word, or deed to reach out a hand, in the hour of need.
Sometimes we had to improvise. I hate to improvise because I felt like I couldn't find words.
I went to theater school, and if I spent time with one school of thought in this whole acting game, it's the Meisner approach of improvise-based acting. This does not mean that you improvise your acting, but that you focus on the other person.
Maybe there is a sort of a sweet middle ground there, where you can do something with something with like 20 to 40 million and do something which is much more character driven, but still create a sort of visual spectacle around it. That is what I'd like to do.
If you want someone who is sort of still, has a bit of an edge, is older, you get Morgan Freeman. If you want someone who can carry a gun and still play a father, you get Danny Glover. My category is 'that guy who happens to be black.'
I keep a guitar around while writing and will improvise music. I do this for several reasons, such as that it's fun, and sometimes it helps me with the meter.
Improvisation, it is a mystery. You can write a book about it, but by the end no one still knows what it is. When I improvise and I'm in good form, I'm like somebody half sleeping. I even forget there are people in front of me. Great improvisers are like priests; they are thinking only of their god.
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