A Quote by Anoushka Shankar
The sitar is a really difficult instrument to play. Physically it's taxing because of the cross-legged sitting position, the length of the neck on the shoulder, the thinness of the strings. There's a lot of pain, especially at the start.
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People say that practicing Zen is difficult, but there is a misunderstanding as to why. It is not difficult because it is hard to sit in the cross- legged position, or to attain enlightenment. It is difficult because it is hard to keep our mind pure and our practice pure in its fundamental sense.
The thing you realize as you get older and you play, that you don't really understand when you're a backup the first few offseasons, how important that mental rest is. It's a grind physically during the season, dealing with the hits and the physical pain that goes with playing in this game. But mentally it's probably more taxing, so you need that ability to find that escape.
I think it all comes back to the individual. My instrument's just a pile of metal and wood! If you listen to the way I speak I have a lot of rhythm, use a lot of accents. When I'm playing my instrument that concept comes through very clearly. In fact some people who've seen me play have noticed that I'm singing - but it's more that I'm actually speaking. So it's not really about the instrument. But for me, in my thinking, the music is all about the melody. When I compose, 99 percent of the time I start with the melody.
I was sitting cross-legged in bed, trying without success to pretend I'd misunderstood the image I'd glimpsed. Yeah, right. Because Vlad had been between my legs looking for a set of keys he'd lost.
All the energy, all the pain, sweat and tears that go into it, the amount I had to put in to get me to where I had to play, it was more taxing on me physically and mentally than it was good for me.
I'm looking forward to not being tired around my child. My father was tired a lot. I want to play ball with my child without having to grab my shoulder because I'm not physically fit. And I want to really teach my child and become his or her friend.
In Formula 1, the neck is really important. There's a lot of force that's going to your head. We also have a helmet and it's not that light. When it's all about g-force, all of that extra weight in the helmet compounds and puts more and more pressure. To be able to maintain your head in a straight position - especially around the corners and while braking - you need to have strong neck. To train that, it's difficult.
A man can spend several hours sitting cross-legged in the same position if he knows that noting prevents him from changing it; but if he knows that he has to sit with his legs crossed like that, he will get cramps, his legs will twitch and strain towards where he would like to stretch them.
To me, all guitar players can play, because I know they're getting to where they're at. It's a very hard instrument to accept, because it takes years to start working with it, that's first, and it looks like everybody else is moving on the instrument but you. Then when you find a cat that's really playing, you always find that he's been playing a long time, you can't get around it.
A lot of modern comedies are difficult to watch too, because they're so ironic and so detached and so quote-unquote clever. They kind of keep you at arm's length. They can be really funny, but they're not really nourishing.
I've felt it (shoulder soreness) since the first day I came, but more so now. Yesterday in the doubles I felt like I couldn't serve at all. I had a lot of pain. I decided to stop because without the serve it doesn't make any sense. It's better to stop and try to recover. If you play, you play 100 percent, not to suffer on the court...Hopefully I'll be ready for the Australian Open. I'll ask for a late start and try to recover. I can playing forehand, backhand, anything except serve.
New York is great because it's such a cross-section of the world, and when you're used to people being shoulder-to-shoulder all the time - in the street, on the train - you become a people person. People are very open to hearing a lot of different perspectives, and they aren't as sensitive.
There is no scriptural basis for segregation. The ground at the foot of the cross is level, and it touches my heart when I see whites standing shoulder to shoulder with blacks at the cross.
There aren't any songs that I would call impossible to play live, but some are difficult. A lot of Queensryche songs are difficult to play live. It's quite a difficult question to answer because everybody (In the band) has their own opinion of what's difficult to play.
I play an instrument that has four strings, and I'm still trying to get it right. What I've tried to do in the process of playing these four strings is to try and understand the people I meet, the stories they have to tell. And then become an advocate for them and their stories through music.
Home Alone was a lot and a lot and a lot of standing and sitting and walking and running and it was physically demanding but in this, I'm doing back flips and riding ostriches. It's physically demanding in a new way, so it's fun.
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