A Quote by Anoushka Shankar

I think I've been lucky to work with so many lovely people. But there's Joshua Bell, who's the world's greatest violinist. We worked together live and once, for his record, but I really would want to work with him on one of my records.
If you work for a man, in heavens name work for him! If he pays you wages that supply you your bread and butter, work for him speak well of him, think well of him, stand by him and stand by the institution he represents. I think if I worked for a man I would work for him. I would not work for him a part of the time, and the rest of the time work against him. I would give an undivided service or none. If put to the pinch, an ounce of loyalty is worth a pound of cleverness.
I worked with Snoop, but I would love to work with him again, but DMX... I would love to work with him as well... I met him in Atlanta; I went to one of his concerts; I would love to do a song with him. I respect him and really like his music.
I worked with Snoop, but I would love to work with him again, but DMX I would love to work with him as well I met him in Atlanta; I went to one of his concerts; I would love to do a song with him. I respect him and really like his music.
Pedro's Almodovar different - very unique, very particular and difficult to compare to anyone else. But I've been lucky with many of the people that I've worked with. I think I've been very lucky with great opportunities - directors like Stephen Frears, Cameron Crowe and Fernando Trueba, as well as Bigas Luna, who gave me my first opportunity. There are a lot of people I would love to work with again. But, of course, I have a special relationship with Pedro and I don't think it's good to hide that.
I've been lucky enough to work with the amazing Golden Globe Award winning Chris Colfer and that is fantastic. I get to work with him on a day-to-day basis and he is such a generous talent. Chris and I like to play. He always throws me things and I ping them back to him and it's really fun. We definitely have a very lovely rapport personally - I think on screen too - and I hope you can see that in the characters.
We've never slammed people over the head or made 'The Flash' an after-school special. With us, it's always been presenting the world in which we live. The world in which we live, men and women work together; different races work together, and you have gay friends, and people have relationships. We just try to show that.
I would love to work with Johnny Depp. I really admire him as an actor, and personally, in my opinion, his portrayal of Captain Jack Sparrow is one of greatest performances given by an actor. I love his creative sense and the way he creates a character, so it would be a dream come true to work with him.
The things that have always been important: to be a good man, to try to live my life the way God would have me, to turn it over to Him that His will might be worked in my life, to do my work without looking back, to give it all I've got, and to take pride in my work as an honest performer.
I'm quite happy with the body of work that I've done, and I've done some really good work over the years that I'm proud of. I'm proud of some of the people that I've worked with, been lucky to have worked with.
I think you have to be crazy not to want to work on the Joker! I can't think of many characters, heroes or villains, that are as malleable as him. He really can be interpreted in so many different ways, and generally, people don't really want to scratch the surface because you can get into some really dark territory real fast.
When you work with Drake, you don't really work with Drake. You send him the song, he rap on it, then y'all done worked together. So it ain't like me and him sitting in the studio.
I would still work with Mel Gibson! He's talented, man! Come on, he came up with 'Apocalypto,' man! I want to work with this guy. I've worked with Steven Seagal. He's out of his mind. I mean, I've worked with Spike Lee for four films. I've worked with some people that you can say are right there teetering between genius and madness.
It's funny - some producers ask me, 'Man, how do you work on a Bieber record? That would kill my career.' I can work on any record there is as long as they are good records and you're pushing things forward.
Go work until you can get the job you that want to have. And I'm really lucky to get to work with a lot of entrepreneurs that are building some of the coolest, new stuff in the world and these guys and girls work really hard and they put in the hours and they're generous and care about other people and it's what led to their success.
I was very lucky to be offered a lovely piece of property to build a career on. I started building a house on it, but it wasn't necessarily a house I would want to live in. So I ripped down that house, and I worked with these great lumberjacks to build a really cool cabin-a place I want to drink whiskey in and hang out until the sun rises.
When you put a tour together you really just think about who you'd like on your bill, who would make sense and who you would want to live with basically for a couple months and be around with and work with.
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