A Quote by Anoushka Shankar
Usually, I really only look at any one particular album at a time when I'm making it. I've never really sat and looked at the journey through all of my albums to see if I could find a thread through them.
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I have to go into the studio to make my second album knowing I'm making an album. When I first started making songs I didn't have an album in mind, that's why a lot of them I like - I'm talking about how I haven't got a deal, how I'm living, you can never really top the first time, but we'll see how it goes.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
I think that a lot of the time I don't go for something in particular. I see what comes to me, I filter it out. I never really strive to play a particular character or do a particular genre of film. As long as it's a good script and a great range of people and my character is really interesting I can't see any reason not to do it.
When you go into the whole realm of creating your own music and seeing the project through, it's increasingly difficult because nowadays a lot of people are making music all on their own - the individual instead of the band. And when you have such a solid vision and you spend so much time working on one idea and allowing it to manifest in your mind through a record, and then you have to go and find people to help you see it through live, it gets really overwhelming, to have to project and really clearly state what you're trying to do and how you want them to do it.
So, it was really important that I go do the necessary research. In doing the research, I spent time with a lot of medics and women down at Fort Bliss. I went through an intensive medical course there, with other medics. And then, I really sat down with all of the women that had been deployed, or were getting ready to deploy again. The common thread for them was family, and what a struggle it was for them to come home and face their children and flip a switch.
The law is not known, since there is nothing in it to know. We come across it only through its action, and it acts only through its sentence and its execution. It is not distinguishable from the application. We know it only through its imprint on our heart and our flesh: we are guilty, necessarily guilty. Guilt is like the moral thread which duplicates the thread of time.
I don't really analyze my stuff when I write. I write about stuff that I'm interested in, that I'm feeling at that particular time. When I stand back and look at the complete work, I might see themes that run through the whole film, but I'm not really conscious of it when I'm doing it.
When I went through the break-up, I really looked for some kind of music, or art or literature that could say, "I've been in the same situation." I couldn't find anything at the moment, and that made me really sad.
I guess, a lot of people think is a long time between albums. It was needed for me. I went through a lot to get the album ["Wild Things"] finished. I actually went through a lot to even get the album started.
The more you look at great art of any kind, you'll see that there's this thread running through all of it.
I really only write about inner landscapes and most people don't see them, because they see practically nothing within, because they think that because it's inside, it's dark, and so they don't see anything. I don't think I've ever yet, in any of my books, described a landscape. There's really nothing of the kind in any of them. I only ever write concepts. And so I'm always referring to "mountains" or "a city" or "streets." But as to how they look: I've never produced a description of a landscape. That's never even interested me.
Characters have to make sacrifices. To really, really feel the true emotion and the hero's journey, they have to go through trials, and those trials could cost them something.
I don't go into any album with a concept or a deliberate direction. It's more letting the best music that really appeals to me at the time, the best songs that I find after many months and years of search and sifting through my collection, and asking radio people and journalists. It's really an ongoing search that's as much daunting as it is somewhat exciting.
Any time you're banged up, your body hurts, you don't really feel like going to the gym. That's when I feel like you really have to push through it. That's when you really make the leaps and bounds in your game. So, pushing through those days is never easy, but that's what gets you good.
I like any story that starts one place and really takes a huge journey to a whole new place; that people in their life want to take that journey. They want to be able to find things in their life that aren't working and work through them to a new place of change.
As I go through all kinds of feelings and experiences in my journey through life -- delight, surprise, chagrin, dismay -- I hold this question as a guiding light: 'What do I really need right now to be happy?' What I come to over and over again is that only qualities as vast and deep as love, connection and kindness will really make me happy in any sort of enduring way.
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