A Quote by Ansel Adams

A good photograph is knowing where to stand. — © Ansel Adams
A good photograph is knowing where to stand.
Normally, whenever I try to photograph my mother, she is extremely impatient and will only stand for a minute and insists on knowing exactly what I'm doing.
I believe that the black-and-white photograph, or rather the gray zones in the black-and-white photograph, stand for this territory that is located between life and death.
I probably get a deeper satisfaction of having taken a very good photograph than of having written something very good, a very good story. Maybe it's because the element of magic is so present in a good photograph - luck and magic, but also hard work and being ready and all that.
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
The good photograph is not the object, the consequences of the photograph are the objects.
I stand here empty, waiting to b filled. I stand here weary of days bombarded with sorrows & ill. Yet, I STAND. For I know it is not of my strength; I know it is not my will. So with my eyes fixed on the prize and a rejoicing soul, I stand with a prayerful heart, waiting for my blessing. I stand, knowing my blessing will com.
Knowing who you are is good for one generation only. You haven't the foggiest idea where you stand now or who you are
When you photograph people in color you photograph their clothes. When you photograph people in black and white, you photograph their soul!
I do not photograph for ulterior purposes. I photograph for the thing itself - for the photograph - without consideration of how it may be used.
Sometimes you have to stand up for what's right, and sometimes that may be ruffling feathers and may be frowned upon by everyone else, but at the end of the day in your heart, knowing you're on the right side of history and knowing that you did the right thing, good or bad, you have to live with that.
There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism. But realism is not enough - there has to be vision, and the two together can make a good photograph.
What puts my mind at rest is knowing I'm a person of integrity. I really do stand for what I say I stand for. I'm real!
What if I said that every photograph I made was set up? From the photograph, you can't prove otherwise. You don't know anything from the photograph about how it was made, really.
One of the things my career as an artist might say to young artists is: The things that are close to you are the things you can photograph the best. And unless you photograph what you love, you are not going to make good art.
Someone said to me, early on in film school... if you can photograph the human face you can photograph anything, because that is the most difficult and most interesting thing to photograph.
The model is just one element of the photograph. There's also the location, the light - all that junk. It helps if the girl is really good-looking, but a girl can be not super good-looking and it'd still be a really good photograph. I ask people to send some photos of where they live if that's where I'm shooting. I go for shabby places over too-nice places, because most of these girls are going to look better if they're not made to look rich.
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