A Quote by Ansel Adams

A photograph is not an accident - is a concept. It exists at, or before, the moment of exposure of the negative. — © Ansel Adams
A photograph is not an accident - is a concept. It exists at, or before, the moment of exposure of the negative.
A photograph is not an accident - it is a concept.
Life exists only at this very moment, and in this moment it is infinite and eternal, for the present moment is infinitely small; before we can measure it, it has gone, and yet it exists forever.
Cartier-Bresson has said that photography seizes a 'decisive moment', that's true except that it shouldn't be taken too narrowly...does my picture of a cobweb in the rain represent a decisive moment? The exposure time was probably three or four minutes. That's a pretty long moment. I would say the decisive moment in that case was the moment in which I saw this thing and decided I wanted to photograph it.
The moment you make a photograph you consign whatever you photograph to the past as that specific moment no longer exists, it is history. The photography that I practice takes place in a specific time and place, depicting real moments in people's lives. In some ways I think of myself as a historian, but not of the word. History is most often written from a distance, and rarely from the viewpoint of those who endured it.
A photograph it a souvenir of a memory. It is not a moment. It is the looking at the photograph that becomes the moment. Your own moment.
The person who looks at a photograph as a complete picture, unable to say anything about anything except the facts which existed at the moment of exposure, does not see very far.
Sometimes we work so fast that we don't really understand what's going on in front of the camera. We just kind of sense that, 'Oh my God, it's significant!' and photograph impulsively while trying to get the exposure right. Exposure occupies my mind while intuition frames the images.
I believe that the concept of 'design' encompasses every aspect of customers's exposure to a brand, from the moment they hear about us to the first time they visit our store to the process of ordering and anticipating the arrival of their glasses.
Perishability in a photograph is important in a picture. If a photograph looks perishable we say, "Gee, I'm glad I have that moment."
The moment you have faith, there is the experience. The moment you have trust, there is realization, there is enlightenment. Then this world no longer exists as the world. The world exists as the Self. It exists as God. And then, with our physical eyes, we can see the light of God everywhere and in everything.
Whatever precautions you take so the photograph will look like this or that, there comes a moment when the photograph surprises you. It is the other's gaze that wins out and decides.
[When] I am taking a photograph, I am conscious that I am constructing images rather than taking snapshots. Since I do not take rapid photographs it is in this respect like a painting which takes a long time where you are very aware of what you are doing in the process. Exposure is only the final act of making the image as a photograph.
Tolerance never exists without negative judgment. It is the sentiment of having a negative opinion about something yet still putting up with it.
I was 24 years old at the time. I had no real notion of what photography was about. I had no training. By accident, I put a negative in an enlarger, and you can do many things with that negative.
Kant introduced the concept of the negative into philosophy. Would it not also be worthwhile to try to introduce the concept of the positive into philosophy?
Another Christian concept, no less crazy, has passed even more deeply into the tissue of modernity: the concept of the 'equality of souls before God.' This concept furnishes the prototype of all theories of equal rights.
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