A Quote by Ansel Adams
There are no forms in nature. Nature is a vast, chaotic collection of shapes. You as an artist create configurations out of chaos. You make a formal statement where there was none to begin with. All art is a combination of an external event and an internal event… I make a photograph to give you the equivalent of what I felt. Equivalent is still the best word.
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I can't verbalize the internal meaning of pictures whatsoever. Some of my friends can at very mystical levels, but I prefer to say that, if I feel something strongly, I would make a photograph, that would be the equivalent of what I saw and felt.
I am a lay historian by nature. I seek out an empirical reflection of what truth is. I sort of want dates and motivations and I want the whole story. But I've always felt, unconsciously, that all human history is that connection from person to person to person, event to event to event, and from idea to idea.
A secondhand wardrobe hand clothes doesn't make one an artist. Neither do a hair-trigger temper, melancholic nature, propensity for tears, hating your parents, or HIV. I hate to say it - none of these make one an artist. They can help, but just as being gay doesn't make one witty... the only thing that makes one an artist is making art.
There is nothing in the nature of a miracle that should render it incredible:;: its credibility depends upon the nature of the evidence by which it is supported. An event of extreme probability will not necessarily command our belief unless upon a sufficiency of proof; and so an event which we may regard as highly improbable may command our belief if it is sustained by sufficient evidence. So that the credibility or incredibility of an event does not rest upon the nature of the event itself, but depends upon the nature and sufficiency of the proof which sustains it.
While we cannot describe its appearance (the equivalent), we can define its function. When a photograph functions as an Equivalent we can say that at that moment, and for that person the photograph acts as a symbol or plays the role of a metaphor for something that is beyond the subject photographed.
If I'm doing an event, if it's a charity event, where it's a walk-around event, where I gotta put a thousand small plates out in the course of a four-hour event, I gotta make sure I can do something that I know I can produce, that's going to be consistent and good all night long.
Photographers usually want to photograph facts and things. But I'm interested in the nature of the thing itself. A photograph of someone sleeping tells me nothing about their dream state; a photograph of a corpse tells me nothing about the nature of death. My work is about my life as an event, and I find myself to be very temporal, transient.
If nature leads us to mathematical forms of great simplicity and beauty - by forms I am referring to coherent systems of hypothesis, axioms, etc. - to forms that no one has previously encountered, we cannot help thinking that they are "true," that they reveal a genuine feature of nature... You must have felt this too: The almost frightening simplicity and wholeness of relationships which nature suddenly spreads out before us and for which none of us was in the least prepared.
Gardeners may create order briefly out of chaos, but nature always gets the last word, and what it says is usually untidy by human standards. But I find all states of nature beautiful, and because I want to delight in my garden, not rule it, I just accept my yen to tame the chaos on one day and let the Japanese beetles run riot on the next.
A scientist sets out to conquer nature through knowledge - external nature, external knowledge. By these means he may split the atom and achieve external power. A yogi sets out to explore his own internal nature, to penetrate the atom (atma) of being. He does not gain dominion over wide lands and restless seas, but over his own recalcitrant flesh and febrile mind.
Learn by heart the forms to be found in nature, so that you can use them like the notes in a musical composition. That is what these forms are for. Nature is a marvelous chaos, and it is our job and our duty to bring order into that chaos and - to perfect it.
Art does not lie in copying nature.- Nature furnishes the material by means of which is to express a beauty still unexpressed in nature.-The artist beholds in nature more than she herself is conscious of.
Poetry operates by raising our curiosity, engaging the mind by degrees to take an interest in the event, keeping that event suspended, and surprising at last with an unexpected catastrophe. The painter's art is more confined, and has nothing that corresponds with, or perhaps is equivalent to, this power and advantage of leading the mind on, till attention is totally engaged. What is done by Painting, must be done at one blow; curiosity has received at once all the satisfaction it can ever have.
One of the things I'm trying to do over and over again in my books is create new mythologies, create new ways to understand the complexity of the world. I think what mythology does is impress upon chaotic experience the patterns, hierarchies and shapes which allow us to interpret the chaos and make fresh sense of it.
I have always felt the word 'advertising' is either a diminutive or derogatory term that kind of goes with stuff people don't like, and I always felt frustrated because I felt like I was a communication artist or a media artist. The best advertising is one of the art forms of our culture.
Surrender becomes so much easier when you realize the fleeting nature of all experiences and that the world cannot give you anything of lasting value. You then continue to meet people, to be involved in experience and activities, but without the wants and fears of the egoic self. That is to say, you no longer demand that a situation, person, place, or event should satisfy you or make you happy. It's passing and imperfect nature is allowed to be.
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