A Quote by Ansel Adams

The negative is the score, and the print the performance. — © Ansel Adams
The negative is the score, and the print the performance.
The negative is comparable to the composer's score and the print to its performance. Each performance differs in subtle ways.
The negative is the equivalent of the composer's score, and the print the performance.
The (photographic) negative is the equivalent of the composers score and the print is the equivalent of the conductors performance.
Traditional performance reviews have passed their sell-by date. Big time. There's research showing that roughly two-thirds of performance appraisals have either no effect - or a negative effect! - on employee performance.
We were working with this lousy print and it just wasn't going to be good enough. I said that we should get the original negative and do it from that. Well, a couple guys pointed out that the negative was locked up over at Deluxe.
I feel like the Earth is a re-print of a re-print of a print of a re-print.
I love a wild animal print. Not just a leopard print - I'm talking about a tiger or zebra print, too.
The whole kiss-and-tell thing is a negative approach that often happens in a World Cup. We will see negative stories about the players and it can affect their confidence and the overall performance of the national team on the pitch, let alone the bid to actually stage the competition.
I wish to state emphatically that I do not believe in any sort of handwork or manipulation on a photographic negative or print.
I can sit on a chair with a score and give myself a wonderful performance.
When I look at a digitally acquired and projected image, it looks inferior against an original negative anamorphic print or an IMAX one.
You can't print everything and that's not good for filmmaking, because you wanna have as many options as possible and print as much as you can, but if you're going to shoot a film - an independent movie on film, the only way to really do it is to print your selects.
What I think I have in common with the school of deconstruction is the mode of negative thinking or negative awareness, in the technical, philosophical sense of the negative, but which comes to me through negative theology.
I don't pick tournaments to score or rivals or other teams to score against. I'm a striker: every game I play, I want to score.
Negative feedback effected amplifier performance significantly.
Once you recognize that all documentaries are performance, it's not a matter of 'if' they should be performance. They are performance, and they are performance precisely where people are playing themselves.
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