A Quote by Ansel Adams
I don't know anybody who needs a critic to find out what art is.
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I don't listen to what art critics say. I don't know anybody who needs a critic to find out what art is.
You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid -- but most people don't take the trouble.
The unknownness of my needs frightens me. I do now know how huge they are, or how high they are, I only know that they are not being met. If you want to find out the circumference of an oil drop, you can use lycopodium powder. That’s what I’ll find. A tub of lycopodium powder, and I will sprinkle it on to my needs and find out how large they are. Then when I meet someone I can write up the experiment and show them what they have to take on.
The man who has honesty, integrity, the love of inquiry, the desire to see beyond, is ready to appreciate good art. He needs no one to give him an 'Art Education'; he is already qualified. He needs but to see pictures with his active mind, look into them for the things that belong to him, and he will find soon enough in himself an art connoisseur and an art lover of the first order.
Direction is the most invisible part of the theatrical art. It's not like the conductor in the symphony orchestra performance because he's standing in front of you waiving his arms. You now what he's doing. You don't know what the director is doing unless you know a lot about theater and even then you can only deduce it. You know it when you go to rehearsal. You really know it when they are rehearsing something of yours. I learned more in the rehearsals for The Letter than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.
Communication needs to be between anybody at any time, which means it needs to happen out of the structure and out of order.
If you don't know anybody who is out of work, who needs housing, if you've never taken a call at 2 o'clock in the morning from a neighbor who is running out of heating fuel in the middle of February, then you don't know what you do in a tough situation. To me, that's the measure of whether you should be in public office.
The literary critic, or the critic of any other specific form of artistic expression, may detach himself from the world for as long as the work of art he is contemplating appears to do the same.
I don't have the education of an art historian. I've certainly read about art and look at art and have educated myself to some extent. But I'm not a skilled or thorough art historian and I wouldn't call myself an art critic.
An art critic is someone who appreciates art, except for any particular piece of art.
Has anybody ever seen a dramatic critic in the daytime? Of course not. They come out after dark, up to no good.
Don’t try to be an artist. Find the thing within you that needs to be expressed. You might find it is art.
There must always be two kinds of art: escape-art, for man needs escape as he needs food and deep sleep, and parable-art, that art which shall teach man to unlearn hatred and learn love.
Make your life your art. It doesn't have to be that you're an artist. I know I talk about art a lot, but I mean a very broad thing with that. You could be a veterinarian, that's your art. Find your art; find your thing you love.
Without going out-of-doors, one can know all he needs to know. Without even looking out of his window, one can grasp the nature of everything. Without going beyond his own nature, one can achieve ultimate wisdom. Therefore, the intelligent man knows all he needs to know without going away, And sees all he needs to see without looking elsewhere, And does all he needs to do wihout undue exertion.
Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.
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