A Quote by Ansel Adams

I expect to retire to a fine-grained heaven where the temperatures are always consistent, where the images slide before one's eyes in a continual cascade of form and meaning.
I simply painted images of what was before my eyes; it is for others to find hidden meaning in them.
People expect too much. People who expect heaven always fall into hell - that is the law. Expect heaven and hell is certain. Don't expect heaven and there will never be any hell.
So before I start work on a book, I'm like a pregnant mole - I obsessively tidy and order my closets and everything in my study. Because there's such a cascade of images and ideas that I'm grapping with mentally, I couldn't also be in a chaotic setting.
On the 27th we came to the Cascade Rapids. The first or Little Cascade has about two feet fall, the second or Grand Cascade, a mile farther, is about a six foot sheer drop.
Classic means standard as opposed to Romantic: form before meaning as opposed to meaning before form. It grows from inside out, while Romantic grows from outside in.
People always form images of who others are, and they can be inflated images.
The vanity of existence is revealed in the whole form existence assumes: in the infiniteness of time and space contrasted with the finiteness of the individual in both; in the fleeting present as the sole form in which actuality exists; in the contingency and relativity of all things; in continual becoming without being; in continual desire without satisfaction; in the continual frustration of striving of which life consists. . . Time is that by virtue of which everything becomes nothingness in our hands and loses all real value.
But the eyes of other people are the eyes that ruin us. If all but myself were blind, I should want neither fine clothes, fine houses nor fine furniture.
At birth we begin to discover that shapes, sounds, lights, and textures have meaning. Long before we learn to talk, sounds and images form the world we live in. All our lives, that world is more immediate than words and difficult to articulate. Photography, reflecting those images with uncanny accuracy, evokes their associations and our instant conviction. The art of the photographer lies in using those connotations, as a poet uses the connotations of words and a musician the tonal connotations of sounds.
Narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verité is film in its purest form. You're taking random images and creating meaning out of random images, telling a story, getting meaning, capturing something that's real, that's really happening, and render this celluloid sculpture of this real thing. That's what really separates the power of doc filmmaking from fiction.
Contrary to what I once thought, scientific progress did not consist simply in observing, in accurately formulating experimental facts and drawing up a theory from them. It began with the invention of a possible world, or a fragment thereof, which was then compared by experimentation with the real world. And it was this constant dialogue between imagination and experiment that allowed one to form an increasingly fine-grained conception of what is called reality.
Before you speak, listen. Before you write, think. Before you spend, earn. Before you invest, investigate. Before you criticize, wait. Before you pray, forgive. Before you quit, try. Before you retire, save. Before you die, give.
I have been a multitude of shapes, Before I assumed a consistent form.
Life's opportunities never end. God designed you to be a continual learner, a continual doer, a continual explorer and a continual giver. He never authorized a 'retirement age' from those pursuits!
The drawings that interest me most are made with closed eyes. With eyes closed, I feel my hand slide down on the paper. I have an image in mind, but the results always surprise me.
People always form images of who others are, and they can be inflated images. People may not realize that the enormous energy and spiritual power that comes through a teacher, especially in a teaching situation, has nothing to do with that person.
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