A Quote by Ansel Adams
While the photos at the D.M.V. (New York) will still be taken in color, the engraving is done in grayscale, hence the Ansel Adams feel.
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I went to Yosemite as an homage to Ansel Adams. I could never be Ansel Adams, but to know that's there for us - there's so much for us in this country.
The majority of my photos are taken while traveling, because everything feels new and exciting initially. Taking photos is like a way to make sense of the overwhelming.
Quality doesn't mean deep blacks and whatever tonal range. That's not quality, that's a kind of quality. The pictures of Robert Frank might strike someone as being sloppy-the tone range isn't right and things like that-but they're far superior to the pictures of Ansel Adams with regard to quality, because the quality of Ansel Adams, if I may say so, is essentially the quality of a postcard. But the quality of Robert Frank is a quality that has something to do with what he's doing, what his mind is. It's not balancing out the sky to the sand and so forth. It's got to do with intention.
Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.
The most striking feature of the new is the sheer mass. Photography was previously a mass phenomenon, but now, quantity is doubtless the outstanding quality. For a long time photos have been taken frequently and everywhere, but now photos are taken permanently and everywhere,... What is new is that we can watch them practically in real time.
I don't know the American photographers as well, but I admit I love Ansel Adams. His landscapes are so crisp.
Trained as a musician, [photographer Ansel] Adams understood the richness of variation that could be unfolded from a simple theme.
I kinda feel like if I can do what I like in New York - and I like New York, I was born in New York, I have a lot more of a connection to New York - the hope is to stay in New York.
Well the thing is that the New York of 1846 to 1862 was very different from downtown New York now. Really nothing from that period still exists in New York.
If Ansel Adams gets a thousand dollars a print, I want ten thousand.
When I was 18, I was moving to New York to start college at The New School. I had done a year of college in Toronto and wasn't happy there. I didn't have any friends in New York City, but I applied and got in. It was pretty overwhelming, but everyone in New York is so ambitious and creative.
I feel the change. I feel the relationship with New York changing. It's a personal relationship you have with the city when you move there. I definitely romanticize the early 2000s. As much as I prefer the city then as opposed to now, I'm sure if I were 23 and I moved to the New York of right now, I could have the same exact experience. I don't really hate the cleaning up of New York, even though it's not my preferred version of New York.
New York is still the most glamorous city I've ever been to, but it's starting to feel older. The sirens still wail; the paths in Central Park still pulsate with joggers. The Manhattan schist still trembles beneath your feet. But weirdly, it's starting to feel, dare I say it, a bit quaint.
In 1979, I received a phone call from Ansel Adams asking me if I would be willing to consider coming to work for him. I was teaching photography in Southern California at that point.
Anywhere in New York, anywhere in the country, somewhere there's going to be a Coke sign. People identify with Coke. You can write a novel about New York and people from the country will read it if they feel that you've made them familiar with New York.
Well,’ I said, ‘Paris is old, is many centuries. You feel, in Paris, all the time gone by. That isn’t what you feel in New York — ’He was smiling. I stopped. ‘What do you feel in New York?’ he asked. ‘Perhaps you feel,’ I told him, ‘all the time to come. There’s such power there, everything is in such movement. You can’t help wondering—I can’t help wondering—what it will all be like— many years from now.
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