A Quote by Ansel Elgort
My dad was always taking photos of us at home, and even on set - he'd bring us along and stick us in the photos in the background. It was almost the beginning of acting for me, like, 'Hey, you go over there and play basketball in the background, and don't even think about the camera.'
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Even if you don't state your ethnic background anywhere on LinkedIn or whether you are married with children, a scan of your photos and other people's photos featuring you will make it far easier to deduce.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
Who among us is so certain of our identity? Who hasn't been asked, 'What's your background?' and hesitated, even for a split second, to answer their inquisitor. Howard Jacobson's 'The Finkler Question' forces us to ask that of ourselves, and that's why it's a must read, no matter what your background.
Learning that aesthetic as a kid - seeing those photos - made me think that that's what photos are supposed to look like. I never understood snapshots. I was looking at them like, "This is horrible; that's not what a picture is supposed to look like." I was taught by these photos. So when I picked up the camera, though I had never done it before, I kind of already knew what I was doing.
I can't talk about my style. It us kind of difficult for me. I don't like styles. I only like taking photos and expressing myself through them.
Show us 14 photos of yourself and we can identify who you are. You think you don't have 14 photos of yourself on the internet? You've got Facebook photos. People will find it's very useful to have devices that remember what you want to do, because you forgot... But society isn't ready for questions that will be raised as a result of user-generated content.
We're not going the photography route. I think there is a real distinction between photos and images, and Flickr is for photos, and Instagram is for photos. You wouldn't put a filter on a meme; you'd put a filter on top of a photo that came from your camera.
What bothers people more than anything is that I'm an old guy taking photos of them. But maybe if you look at the photos, 20, 30 years later, it's not going to matter who took the photos. I mean, they would just be there. People will hopefully get over that.
Every journey will take us to somewhere even if at the beginning it looks like taking us to nowhere!
I think it's sad that we live in a world where men can steal and distribute and publish photos of women without their permission all over the Internet and even in print and make a lot of money doing so, but half naked photos that I took of myself are deemed "obscene."
I take it as a compliment when people want to click photos with us. But at times, it is pretty intrusive. People think that because we come on the big screen or on television, they have a right over us.
Instagram is a media company. I think we're about visual media. I explain ourselves as a disruptive entertainment platform that enables communication through visual media. I don't think it's just photos. There's a reason we don't allow you to upload photos on the Web as albums. It's not about taking all these photos off your DSLR putting them into an album and sharing them with your family. It's not about that. It's about what are you up to right now out in the real world, how can you share that with everyone.
For many people, when they come to Twitter, the language is opaque. We need to push the scaffolding to the background and bring the content forward. The media, the photos, the videos.
When I was an actor in some movies a long time ago, I was so curious about all the camera movements - why is the camera placed here, and why does it move like this? And why the set and the background, the color? It's a lot of questions for me to ask, because I was so interested, not only in acting, but also the whole process of filmmaking.
My mom and dad put my brother and sister through university and they were very keen for us to have an academic background just to give us a chance.
You're a disaster for us, Clary! You're a mundane, you'll always be one, you'll never be a Shadowhunter! You don't know how to think like we do, think about what's best for everyone-- all you think about is yourself! But there's a war now, or there will be, and I don't have time or the inclination to follow around after you, trying to make sure you don't get us killed! Go home, Clary. Go home!
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