A Quote by Ansel Elgort

I never felt fanboyish about acting, about actors, about movies. I'm a fanboy with music. — © Ansel Elgort
I never felt fanboyish about acting, about actors, about movies. I'm a fanboy with music.
I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro world, when, largely, in fact, it's almost never true.
Hardly anyone today thinks about sex. We joke about it, dream about it, watch movies about it, listen to music about it, lust about it. But we don't ever really think about it.
I love talking about acting. I'm just such a fan of actors and filmmakers, and I try to choose roles where I get to talk to great actors about acting and learn.
Acting is not about competing. Acting is about cooperating. Acting is about collaboration. It's about your utility, your usefulness, your capacity to add to the work that has already been done and will be done. You're just part of a team. I never feel competitive about acting.
My life is about politics, a lot of about music, and a lot about things other than acting. I like traveling the world. But, what makes me want to stay in this business and keep doing this are movies when it's a true labor of love.
Actors can be very precious about their work and their scenes, but I think good actors have a strong understanding of narrative and are very often not as precious about that stuff. They just can't be because they understand what makes for a better film, and that it's the job of the actor to work toward that, and then if you want you can go to acting class or workshops. But making movies is not workshops.
Acting was always something I pursued by myself. When we were in college, I took an acting class that I was so passionate about and devoted to, but I went to it privately and never really spoke about it. I'd have these ecstatic experiences in, like, a church basement and then never talk about it with other people.
I'd never thought about acting as a job. I was an engineer; I was in science and technology. I loved movies and television growing up, but I'd never thought about it as, 'Oh, that guy Denzel Washington is employed as an actor.'
I felt that I was forgetting about all of the stresses when I was acting, and that's when I started thinking more seriously about acting.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
I never felt safe. In high school, acting is what I did to stay sane. It wasn't about showing off; it was about revealing parts of myself that I couldn't reveal anyplace else.
I never thought I was going to make a movie about men. I've always thought we don't have enough movies about women, and if I spent my whole life making movies only about women, there still wouldn't be enough movies about women, so that's a wonderful thing to dedicate my career to.
If I'm directing actors, I learn about acting that way. If I'm acting, I learn about directing that way. Producing is just something that's come about because there's projects I find interesting that I would like to help get done.
Nas always been my favorite rapper, but 50 Cent, he changed my way of thinking about music 'cause he was so detailed in his music, I knew that wasn't lying. I never felt Tupac that way; I never felt Biggie that way. I love Nas music, but I never felt and believed like, 'This is for real.' 'Cause I grew up that gangsta lifestyle.
When I do interviews about movies I direct, I often talk about how my superpower as a director is that I'm an actor. I can talk to actors. I'm not afraid of actors.
I've never thought about any kind of prejudice about women in country music because I never felt like it affected me. I was fortunate enough to come about in a time when I didn't feel that kind of energy at all, and it was always my theory that if you want to play in the same ballgame as the boys, you've got to work as hard as them.
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