A Quote by Ansel Elgort

'East of Eden' is an important story for me. It's about a kid that's misunderstood and feels like he's not loved by his father. It's a very father-son kind of story, and it's not until the end that they sort of make up. I like that because every boy has trouble with his father, so it's very relatable.
When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.
The Son is called the Father; so the Son must be the Father. We must realize this fact. There are some who say that He is called the Father, but He is not really the Father. But how could He be called the Father and yet not be the Father?... In the place where no man can approach Him (I Tim. 6:16), God is the Father. When He comes forth to manifest Himself, He is the Son. So, a Son is given, yet His name is called 'The everlasting Father.' This very Son who has been given to us is the very Father.
Being a father is the hardest job on the planet, because we don't have parental instincts like women have. You have to learn how to be a father before you even become a father, from a very young age. It's necessary to override what we're told in society a father should be, like if your son falls and scrapes his knee, you got to be tough. Baseball and all that are cool, but it's the tenderness and interactions that are really important. Boys are different; we have to impart that sensibility and that tenderness to them.
Like Frankenweenie is a story about a boy and his dog, Big Fish is the story of a father and his son, and all those conversations you can't have. It's universal, in a way that can go from one medium to another medium. That's been the funnest, figuring out what we can do in a Broadway show that's unique and special.
Ironically, it was the father's blessing that actually "financed" the prodigal son's trip away from the Father's face! and it was the son's new revelation of his poverty of heart that propelled him back into his Father's arms. Sometimes we use the very blessings that God gives us to finance our journey away from the centrality of Christ. It's very important that we return back to ground zero, to the ultimate eternal goal of abiding with the Father's in intimate communion. (pg. 243)
My earliest influences would definitely be my father, just seeing him play in different bands and going to his shows and going to the rehearsals. You know what I'm saying, it was the typical story of a son looking up to his dad. So the years that my father was around, my father was my biggest influence.
The thing is that my father's story helps to communicate what was at stake with my mother, and my mother and father had so much a partnership that his story is integral to her story, as her story is to his - really, her story can't be told without his story.
When I was a kid, I was told that I had a biological father, but that he didn't have much importance. I had an adoptive father who was present, who loved me, who was up to the task. And he was. So, I didn't question that story, until I was thirty-two, and suddenly realized that I was curious, that he did have something to do with me.
My father was a typical Irish father. He was a nice, hard working, driven guy. His politics were very conservative and I was just a very different kind of kid to that. I was very shy and bookish.
Can anyone be a father without beginning to be one? Yes, one who did not begin his existence. What begins to exist begins to be a father - God the Father did not begin at all. He is Father in the true sense, because He is not a son as well. Just as the Son is son in the true sense, because He is not a father as well. In our case, the word 'father' cannot be truly appropriate, because we must be fathers and sons.
I tried to stick to my game plan, which was always being aware of what my A story was - the love story between a father and his son, and that son and his daughter.
My father had a lot of allergies, and he just didn't like the cold of Chicago, and his father - his parents had broken up when he was young, and his father had lived in Pasadena for a while, and he kind of fell in love with Southern California.
'Wayne of Gotham' is very much a father-and-son exploration. We've always seen Thomas Wayne through the years as this figure carved in marble; this perfect man. The only thing we really know about is that he died in that alley outside of a theater. But every son has to confront the reality of his father at some point in his life.
Sherman made the terrible discovery that men make about their fathers sooner or later... that the man before him was not an aging father but a boy, a boy much like himself, a boy who grew up and had a child of his own and, as best he could, out of a sense of duty and, perhaps love, adopted a role called Being a Father so that his child would have something mythical and infinitely important: a Protector, who would keep a lid on all the chaotic and catastrophic possibilities of life. ~Tom Wolfe
Every son needs his father to be a hero and my father is like a superhero!
At 15 [my father] revolted against his father like any teenager, and said, "I'm out of here! What are you doing to me?" He thought he wouldn't be involved in that kind of stuff for the rest of his life. He just wanted to make money. He was one of those people who took over the family responsibility. His own father was pretty irresponsible with money and borrowed from people all the time.
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