A Quote by Anselm Kiefer
As a child I had no toys; our house was bombed, but there were lots of bricks. Ruins are wonderful because they are the beginning of something new, you can do something with them.
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I was a 'Duck Hunt' and 'Mario' guy, and stuff like that. I was never technologically driven. I never had all the cool, new toys. I was the youngest child, I wasn't the only child, so I wasn't spoiled as a kid. And, we were on the farm, so we didn't have a lot. Also, with computers, I'm not very good with them. I just check my email.
And now I was seeing that there was something really cool about that family. All of them. They were just...real. And who were we? There was something spinning wickedly out of control inside this house. It was like seeing inside the Baker's world had opened up windows into our own, and the view was not a pretty one. Where had all this stuff come from? And why hadn't I ever seen it before.
It's a shame publishers send rejection slips. Writers should get something more substantial than a slip that amounts to a pile of confetti. Publishers should send something heavier. Editors should send out rejection bricks, so at the end of a lot of years, you would have something to show besides a wheelbarrow of rejection slips. Instead you could have enough bricks to build a house.
My religious upbringing was comically strict — even the Dirt Devil vacuum cleaner was banned. In our house, no one was allowed to refer to deviled eggs. We had to call them angelic eggs. We were never allowed to swear. I'd get into trouble just for saying 'Hell no'. If you dropped a hammer on your toe in our house you had to say something like 'Jiminy Christmas'. The only music we were allowed to listen to was gospel. No wonder I rebelled.
As a child I was such an intense daydreamer; I could be so gone that I had to be smacked to come back. They were really worried that I had some kind of catatonia or something because I would go so far out. Because all I wanted to do was talk to god as a child.
Reruns are wonderful because it usually indicates that they had something going for them to begin with and that's why you're still looking at them. And in both my shows, The Dick Van Dyke Show and the last one, they were so well written and so good they hold up.
We need to think about what cooking is, what context it takes place in and what its relationship to the world of art is. If there were criticisms of my presence at Documenta, that's a good thing because it means we were doing something new. Your mission in creating something artistic is to produce something new and polemical.
Composing is like driving down a foggy road toward a house. Slowly you see more details of the house-the color of the slates and bricks, the shape of the windows. The notes are the bricks and the mortar of the house.
Quentin and I were constantly finding something new that we had in common and comic books were one of them. I think we were talking about comic books much earlier in our relationship, before I had the part.
Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn't really do it, they just saw something. It seemed obvious to them after a while. That's because they were able to connect experiences they've had and synthesize new things.
I try to study the background of the country I am in and what were my hits there, so I can at least give them some of what they want. It's like a wedding - give them something old, something new, something borrowed and definitely something blue!
Innovation is hard. It really is. Because most people don't get it. Remember, the automobile, the airplane, the telephone, these were all considered toys at their introduction because they had no constituency. They were too new.
'Sesame Street' early on and then 'Little House on the Prairie' was a big deal in our house. I always identified with 'Little House' because they were wanderers, and there was something about being an immigrant.
In 1952, I had gone to England on a literary pilgrimage, but what I also saw, even at that distance from the blitz, were bombed-out ruins and an enervated society, while the continent was still, psychologically, in the grip of its recent atrocities.
That's the worst of growing up, and I'm beginning to realize it. The things you wanted so much when you were a child don't seem half so wonderful to you when you get them.
Words are not thoughts, just like bricks are not homes. But houses are made with bricks. If you have less bricks, you will make a small house. The more words you have, the clearer your thoughts, and the more clearly you can convey them.
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