A Quote by Anson Carter

You never have enough competition at any position, ... Several of the players listed at right wing have played center in the NHL, like Trevor Linden. Some can play both wings. I've been skating on a line with the Sedin twins. They are a lot more skilled than some people give them credit. Look at their point totals and they are right up there in their point-per-minute averages. My job will be to complement them and try to get our line to provide secondary scoring behind the big line of Naslund, Bertuzzi and Morrison. Those guys look good and I expect they'll be the top line in the NHL again.
I've played people that are on the line of evil and good, but that's life. We are always playing with the good and the bad. I see them as people. I don't see them as caricatures. I try to not make them caricatures. Maybe I fail, but I try to see what' behind them. Would I play the hero? A superhero? I don't think so. But, I play good guys. There are some there, but you have to look.
Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear. Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.
The picket line is the best place to train organizers. One day on the picket line is where a man makes his commitment. The longer on the picket line, the stronger the commitment. A lot of workers think they make their commitment by walking off the job when nobody sees them. But you get a guy to walk off the field when his boss is watching and, in front of the other guys, throw down his tools and march right to the picket line, that is the guy who makes our strike. The picket line is a beautiful thing because it makes a man more human.
Even when there's not a joke or a hook, the first line has to be good and snapem to attention. Songs ain't novels. You don't have 30 pages to slowly wrap somebody in. They're more like short stories or poems. If the first line hasn't grabbed them, you won't get to the second line. Once you've developed an audience, you may have some luxury and trust, so you don't have to knock 'em over the head with line one.
Then it was snack time, right in the middle of mass. Right out of nowhere, the priest would look down and say, 'Let's have some yum yums!' You would get in line - you would jump in the line - and you would go up and get the crouton O'Christ.
I've got evil in me as much as anyone, some desires that scare me. Even if I don't give in to them, just having them scares the living bejesus out of me sometimes. I'm no saint, the way you kid about. But I've always walked the line, walked that goddamned line. It's a mean mother of a line, straight and narrow, sharp as a razor, cuts right into you when you walk it long enough. You're always bleeding on that line, and sometimes you wonder why you don't just step off and walk in the cool grass.
I think you look at a lot of sports, it starts with the guys up front. Your defensive line and offensive line in football and your big man in basketball, different stuff like that.
I don't ever cross the line. I step right up to it. I put my toes on the line, but I don't ever cross that line. There are some barriers you just don't cross - you don't talk about religion; you don't talk about race. Those are lines I will never cross.
Somebody once told me, ‘Manage the top line, and the bottom line will follow.’ What's the top line? It's things like, why are we doing this in the first place? What's our strategy? What are customers saying? How responsive are we? Do we have the best products and the best people? Those are the kind of questions you have to focus on.
I do everything by hand... Even if I'm doing really big letters and I spend a lot of time going over the line and over the line and trying to make it straight, I'll never be able to make it straight. From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.
We all like to think that the line between good and evil is impermeable--that people who do terrible things, such as commit murder, treason, or kidnapping, are on the evil side of this line, and the rest of us could never cross it. But the Stanford Prison Experiment and the Milgram studies revealed the permeability of that line. Some people are on the good side only because situations have never coerced or seduced them to cross over.
Some people demand a five-line capsule summary. Something you'd read in a magazine. They want you to say, 'This is the story of the duality of man and the duplicity of governments.' I hear people try to do it -- give the five-line summary -- but if a film has any substance or subtlety, whatever you say is never complete, it's usually wrong, and it's necessarily simplistic: truth is too multifaceted to be contained in a five-line summary. If the work is good, what you say about it is usually irrelevant.
Combine speed is overrated. It might give you a good look to see what you can run in a straight line, but football's not played in a straight line.
We like to be punks. We like to still be kind of edgy and if being edgy means you might teeter on that line of being inappropriate, I'm still willing to teeter on that line, even at my age. But some of them go over that line and you've gotta draw that line somewhere.
We guard the shooter. A lot of guys shoot way behind the 3-point line. We guard where the shooter is, not where the line is.
I have to say the thing that I want to do so badly is design a line. I still don't know exactly what direction I want to go but designing a line for full-figured women, offering them a chance to have chic clothing that's maybe a little more daring than the clothing they've been offered in the past, I would like the opportunity to create that for them. I'd also like to break into the beauty industry and be the face of a makeup line. I think for it sends a fantastic message: Here's the face of beauty and look, she's a bigger size.
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