A Quote by Anson Mount

Good and bad are really arbitrary words when it comes to character. — © Anson Mount
Good and bad are really arbitrary words when it comes to character.
There are some people that aren't into all the words. There are some people who would have you not use certain words. Yeah, there are 400,000 words in the English language, and there are seven of them that you can't say on television. What a ratio that is. 399,993 to seven. They must really be bad. They'd have to be outrageous, to be separated from a group that large. All of you over here, you seven. Bad words. That's what they told us they were, remember? 'That's a bad word.' You know bad words. Bad thoughts. Bad intentions.
I don't care if you hate me or if you like me, as long as somebody gives me a character that is really a character to play. It's fun to be able to have a character and have a director that can direct you into a character. I'm just so happy that I got a good role. I don't care if it's bad or if it's good, and I don't care if it's drama or comedy. They are just so rare to come across.
A really good style comes only when a man has become as good as he can be. Style is character. A good style cannot come from a bad undisciplined character.
I've always found that it's such an emotional experience, trying to find the good parts of a bad character or the bad parts of a good character, and in the end, most of these qualities are already there inside me.
I'm very glad people love 'Breaking Bad,' but the harder character to write is the good character that's as interesting and as engaging as the bad guy.
I think that Gollum is really the character who is a very human character, and he's very flawed, like most humans are, and has good and bad sides.
I don't really approach a character as to whether or not it's good or bad. I just approach a character as to where it lives in me.
Not to oversimplify it, somebody once said a good rule of thumb in interpreting a character is to find the good in the bad people that you portray and the bad in the good.
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
The legacy of the fairy story in my brain is that everything will work out. In fiction it would be very hard for me, as a writer, to give a bad ending to a good character, or give a good ending to a bad character. That's probably not a very postmodern thing to say.
For any character, male or female, I think it's important to have... it's cliche to say a flawed character, but to really think about the good and the bad and make sure that both are present, and it doesn't just become a glossed over icon of perfection.
I'm not really good at fun-to-know, human interest stuff. We're not 'celebrities', whose life itself is a performance. Good or bad or ugly, we are our words. They're what people meet.
The thing that I love about 'Scandal' is every character, it's not clear if they're good or bad. Everyone is both good and bad.
I have played some very kind and loving character. I don't know why I'm so good at playing bad. I really don't.
As a parent, you have to figure out how to shape your kid's character. You want to have human beings who learn about good character. You have to be able to see your child with clarity, see the good side and the bad side of them, and work on the bad side and make them better so they fulfill their potential.
If you make a good show, you tend to get good reviews. I don't believe it is as arbitrary as some people tend to think, which artists do to protect themselves against bad reviews.
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