A Quote by Ant Anstead

It's weird, because I only moved out to America for one job, but the moment I moved here, within the first week, I felt at home. — © Ant Anstead
It's weird, because I only moved out to America for one job, but the moment I moved here, within the first week, I felt at home.
I was born in California and moved around a lot. When I was 17, I moved to Boston because my mom got a job there. The moment I went to Boston, everything just felt right and fell into place on how I wanted it to be.
We moved around a lot when I was younger. I never really felt at home until we moved to Canada, but even then, I always felt strangely out of place and alien.
When I first moved to Austin in January of 2000, I went out drinking and smoking every single night for a year. And it was really fun at first, but then I started to feel kind of weird because, before I moved here, I had a vision of myself becoming a new person once I lived in Austin. I just hadn't realized that person might be Nick Nolte.
When I first moved here, I almost felt like I was obligated to hate L.A. as a New Yorker. I moved way too fast for this city. I walked everywhere, and I was lonely, too. It was a really hard time not knowing anybody, and you don't run into people the way you do in New York. You can go a week without seeing anyone.
I moved to the States from London when I was 12 years old. My father was in a band and wanted to tour, so we moved here, but it wasn't until I moved to Williamsburg and had my son that I felt like I finally belonged.
I started at 'The Daily Telegraph' as a daily news reporter. I moved then to 'The Guardian,' and then I moved to New York as the correspondent for 'The Guardian,' moved to 'The Times of London.' And really, it was the best job you could imagine. You could cover any story you wanted in America.
Christianity began in Palestine as an experience, it moved to Greece and became a philosophy, it moved to Italy and became an institution, it moved to Europe and became a culture, and it moved to America and became a business! We've left the experience long behind.
Reggie Campbell and Kathleen Goldsmith are participants in an American success story, the unprecedented boom of home-buying by African-Americans in the 1990s. Only he is black and she is white. When he moved into the neighborhood, she moved out.
In the beginning the church was a fellowship of men and women centering on the living Christ. Then the church moved to Greece where it became a philosophy. Then it moved to Rome where it became an institution. Next, it moved to Europe, where it became a culture. And, finally, it moved to America where it became an enterprise.
I had a weird high school because I graduated early when I was 16. I moved out to California, but I was only there for freshman and sophomore year, and I was a bit of a brainiac.
I had no idea when I moved to Nashville people just were songwriters. I had no idea. So I guess I was selling myself as a singer when I first moved here. But then right after I first moved, I started writing a lot.
I moved from home in Scotland to home in WWE, and that was the first time being out on my own in my life.
My parents left Iran in 1979 and moved to France and then moved to the U.S. My brother was born in France and I was born in New York. I think my parents left France because they felt their kids would never be accepted by French culture. Here they thought we could feel American - that we could feel safe in that way - which was important to them, given what their experiences were in Iran. They used to joke about how I could be president because I was the only one born in America.
I was born in L.A., then we moved to Hawaii, then we moved to New York, then we moved to Baltimore, then we moved to California, then we moved to Hawaii, then we moved to Texas, then we moved to Hawaii, then we moved to California. This was before I was 17.
When I first moved to New York, I moved all over because I never knew where I would be or if I was going to Europe, so I would sublet apartments. It was miserable because I was constantly moving.
We like to keep the show small. Honestly, where we moved the show to the UCB theater, we moved it to a smaller space. Even though the show has technically gotten more popular. And that is, only because we like intimacy and the ability to experiment more. We don't want to be like, "We can get 250 people in a week. So let's do that. But we have to be careful about who we book..."
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