A Quote by Antal Szerb

The sense of impending disaster hung over the garden like a chandelier. — © Antal Szerb
The sense of impending disaster hung over the garden like a chandelier.
The other thing that troubled me: Dad was clutching his workbag. Usually when he does that, it means we're in danger. Like the time gunmen stormed into our hotel in Cairo. I heard shots coming from the lobby and ran downstairs to check on my dad. By the time I got there, he was just calmly zipping up his workbag while three unconscious gunmen hung by their feet from the chandelier, their robes falling over their heads so you could see their boxer shorts. Dad claimed not to have witnessed anything, and in the end the police blamed a freak chandelier malfunction.
When I came back from filming the 'Chandelier' video, everyone was like, 'So what'd you wear? What did the room look like? How many chandeliers were there?' And I was like, 'Well, I wore a blond wig, a nude leotard, the room was dirty, and there was no chandelier.'
...the moon that hung over the garden like some great priceless pearl, flawed and blemished with grey shadowy ridges as only a very great beauty can risk being.
The world was arrogant and self-satisfied, but behind all this confidence there was an uneasy sense of impending disaster. The old creeds, both religious and political, were largely in the process of dissolution, but we did not realise the fact, and therefore did not look for new foundations.
I love nature like nothing else. Before I moved to Switzerland, my home was a flat in London with a garden. In those snatched moments away from dance, I did typical weekend things like pruning, planting, and weeding. I planted fruit trees and even had a vegetable garden, but I wasn't around enough, so it was a disaster.
I live a half mile from the San Andreas fault - a fact that bubbles up into my consciousness every time some other part of the world experiences an earthquake. I sometimes wonder whether this subterranean sense of impending disaster is at least partly responsible for Silicon Valley's feverish, get-it-done-yesterday work norms.
But in the garden the sun still shone. The innumerable bees hummed. The scent of thyme hung on the air. But only the Natterjack was there to breathe the fragrant essence of it. He and the garden were waiting. They were waiting for more children. They didn't care how long they waited. They had all the time in the world. -The Time Garden, Edward Eager
Crackdown, the video, interpreted and reflected a sense of authority and austerity and a sense of slight, impending doom.
I was an athlete, so I hung out with the jocks. I was smart, so I hung out with the nerdy kids. I was also into theater, so I hung out with the misfits... So I was always in different groups, and those groups never quite overlapped. The racial part of it was just another one of those groups, in one sense.
For some people, the beginning is a time of complete chaos. You see bits and pieces of what is before you. You have a sense of what it is you must set out to do. But nothing will form yet. When you sit down to write or paint or form movement, it's like stepping over a cliff or into a dense fog. All you can do is trust that this impending masterpiece is going to somehow manifest itself as you work. But you do know that there is something specific ahead, and you feel the excitement of that.
I challenge you to a duel!” screamed the cat, sailing over their heads on the swinging chandelier.
Getting over those unexpected hurdles may not be exactly enjoyable, but ultimately I believe that such challenges and the solutions we find give us more confidence.They teach us with common sense and determination we can turn what looks like a disaster into a triumph.
But her name was Esmé. She was a girl with long, long, red, red hair. Her mother braided it. The flower shop boy stood behind her and held it in his hand. Her mother cut it off and hung it from a chandelier. She was Queen. Mazishta. Her hair was black and her handmaidens dressed it with pearls and silver pins. Her flesh was golden like the desert. Her flesh was pale like cream. Her eyes were blue. Brown.
Say you write a song about a chandelier, and the chandelier gives off light. And the light is the color red and red reminds you of the color your not supposed to wear around a bull. So you name the song 'Cow.'
Death approaches, which is always impending like the stone over Tantalus: then comes superstition with which he who is imbued can never have peace of mind.
When a garden is used as a place to pause for thought, that is when a Zen garden comes to life. When you contemplate a garden like this it will form as lasting impression on your heart.
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