A Quote by Antara Mali

I did a course in creative writing. — © Antara Mali
I did a course in creative writing.
I did a minor in creative writing in college, but I didn't start writing until I stayed at home with my own children.
Which, of course, isn't the point of writing - but it would be nice if, along with the creative satisfaction of writing and seeing my work in print, I could do more than merely scrape a living. Okay, moaning over.
I see creative-writing classes as some sort of AA meeting. It is more of a support group for people who write than an actual course in which you learn writing skills. This support group is extremely important because there is something very lonely about writing.
In general, I feel, or I have come to feel, that the richest writing comes not from the people who dedicate themselves to writing alone. I know this is contradicted again and again but I continue to feel it. They don't, of course, write as much, or as fast, but I think it is riper and more satisfying when it does come. One of the difficulties of writing or doing any kind of creative work in America seems to me to be that we put such stress on production and material results. We put a time pressure and a mass pressure on creative work which are meaningless and infantile in that field.
Either I did away with that fear through writing, or in the course of writing, I discovered it was no longer so intrusive or threating. The bottom line is, it's gone.
If anybody won life, David Bowie did, at least as a creative entity in the sense of writing yourself into existence and writing yourself out in such a graceful swoop.
To me there is no such thing as creative writing. It's either good writing, whatever the subject, or it's not creative.
I took an MA course in creative writing a couple of years back, and I was definitely in the bottom of the class.
I did not go to any creative writing workshop; I did not major in literature. If I can write, anyone can write. All it needs is imagination.
For a while the creative writing community sort of sprung out of places like Iowa and Syracuse. The graduates sort of went out, and they would found creative writing departments in the little colleges where they went, and then some of those would found other ones. I mean every college has got a creative writing department, so where are the jobs coming from? There are not any jobs out there.
I did playwriting, creative writing, short story, novelization.
What you really have to do, if you want to be creative, is to unlearn all the teasing and censoring that you've experienced throughout your life. If you are truly a creative person, you know that feeling insecure and lonely is par for the course. You can't have it both ways: You can't be creative and conform, too. You have to recognize that what makes you different also makes you creative.
My favorite subject was English or creative writing. We did poems and making a magazine, and I did one on celebrities. I called it 'Celebrity Life Magazine.' I interviewed my good friend Kaley Cuoco.
I don't really believe in a creative-writing major as an undergraduate. It's a bad idea, terrible. I've met creative-writing majors from other places and they don't know a goddamn thing. They're the worst students. They just think they're good because they could pass.
Anyone who's taken a lot of creative-writing classes, or taught creative writing, has learned to dread a certain kind of manuscript. It's long, for one thing. It has irritatingly small type; it's grammatically meticulous when it comes to everything but punctuation, for which it has developed its own system of Tolkienic elaboration.
I think it's dangerous to think you know what you're writing. I usually don't know, and usually I just discover it in the course of writing. I envy those writers who can outline a beginning, a middle, and end. Fitzgerald supposedly did it. John Irving does. Bret Easton Ellis does. But for me, the writing itself is the process of discovery. I can't see all that far ahead.
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