A Quote by Anthea Butler

Coldplay's 'Hymn for the Weekend' video featuring Beyonce is already caught in a heated conversation about cultural appreciation of Indian religion and culture versus cultural appropriation of that culture for the western gaze.
The conversation of cultural appropriation versus appreciation is especially important for the NFL as it seeks to expand its fan base to London and all over the world.
The Jewish culture - people that are Jewish have a certain cultural habit that they've formed and one of those habits is an appreciation of theater and music - these are cultural things one does associate with values that are promulgated by Jewish families. I think that's a good thing.
The indigenous peoples understand that they have to recover their cultural identity, or to live it if they have already recovered it. They also understand that this is not a favor or a concession, but simply their natural right to be recognized as belonging to a culture that is distinct from the Western culture, a culture in which they have to live their own faith.
We are in the process of creating what deserves to be called the idiot culture. Not an idiot sub-culture, which every society has bubbling beneath the surface and which can provide harmless fun; but the culture itself. For the first time, the weird and the stupid and the coarse are becoming our cultural norm, even our cultural ideal.
I am extremely honoured by Indian Council For Culture Relations, India's apex body on the promotion of great Indian culture across the world for including cinema and I am deeply honoured for being the first person from the Indian film industry to represent the cause of this industry in the overall cultural promotion globally.
Museums just seem to have this borrowed cachet—if I want to seem cultural, I will design something cultural. I resist the idea that culture is only opera houses or theatres. Culture is your entire life around you: toilets, the bus, the kerb or the dump where you drag your waste. Culture has come to mean the arts, but it’s swimming pools as well.
The body must be regarded as a site of social, political, cultural and geographical inscriptions, production or constitution. The body is not opposed to culture, a resistant throwback to a natural past; it is itself a cultural, the cultural product.
You cannot build a cultural identity without the images and sounds of your culture. Most countries in the third world - poor countries - they've lost their memories. Because everyday, films and cultural artifacts disappear. Film is also a memory - of the character and imagination of a culture.
[Cultural departments] don't care about culture. Maybe they're the furthest from the people who understand culture.
We also have a cultural phenomenon: the emergence of a global culture, or of cultural globalization
We also have a cultural phenomenon: the emergence of a global culture, or of cultural globalization.
I'm not tied to the news cycle. I can do an episode on cultural appropriation, not on Rachel Dolezal. We might make a joke about her, but that's not going to be the focus of the conversation.
Wine culture is very white. It's a fact. When you look at it from a cultural standpoint, you're missing out on so many different cultural influences in America.
'Hymn for the Weekend' mixes cultural and religious practices, commodifying them into a banal but beautiful message of imagined solidarity.
The language of the culture also reflects the stories of the culture. One word or simple phrasal labels often describe the story adequately enough in what we have termed culturally common stories. To some extent, the stories of a culture are observable by inspecting the vocabulary of that culture. Often entire stories are embodied in one very culture-specific word. The story words unique to a culture reveal cultural differences.
It has become a cliché to announce that 'we live in a remix culture'... What was referred to in post-modern times as quoting, appropriation, and pastiche no longer needs any special name. Now this is simlpy the basic logic of cultural production.
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