A Quote by Anthea Butler
Spatial racism, the erasure of black faces in a predominantly white city, is in full effect in both Crown Heights and Center City Philadelphia. This racism demands that bodies that don't conform to a mandated 'white' status quo can be redlined out of a space.
Related Quotes
Growing up in a predominantly white area of the predominantly white state of Wisconsin, it was, I'm sad to say, relatively easy for me to go through life without recognizing or reckoning with the obvious signs of racism.
Wherever black people are in America, criminalization exists. Wherever there is a white-dominant space, deep racism exists as well - no matter how progressive. If you cut too far into that progressive, if you do something that's too radical, white racism will emerge.
In music, the Specials brought a city, Coventry, bombed out for a second time and riven with racism, to a celebration between black and white musicians and their music.
I see racism as institutional: the rules are different for me because I'm black. It's not necessarily someone's specific attitude against me; it's just the fact that I, as a black man, have a much harder time making an art-house movie and getting it released than a white person does about their very white point of view. That's racism.
The problem is that white people see racism as conscious hate, when racism is bigger than that. Racism is a complex system of social and political levers and pulleys set up generations ago to continue working on the behalf of whites at other people's expense, whether whites know/like it or not. Racism is an insidious cultural disease. It is so insidious that it doesn't care if you are a white person who likes Black people; it's still going to find a way to infect how you deal with people who don't look like you.
While it has become “cool” for white folks to hang out with black people and express pleasure in black culture, most white people do not feel that this pleasure should be linked to unlearning racism.
I've been on predominantly 'white' shows before, and I had also been on predominantly 'black' shows. I would complain that when I was on a white show, they would only hire me because there was a black character or they needed a black voice. But then I would be mad if they went and hired a white dude in my position.
The way racism works in Canada, it's very subtle. You may feel you're a victim of racism or have experienced racism, but you can't necessarily prove it - unless you get a [white] friend to go check out that rental, go check out that job, whatever. Unless you're willing to really dig to prove you're a victim of racism, it might be difficult to do that. And so what you're dealing with then is feeling, it's emotion.
I grew up in a predominantly white community - Hinsdale, Illinois - and given that, I feel blessed because I could still count my experiences with blatant racism on two hands. I thought racism was the substitute teacher picking on you because she assumes that you're a delinquent, and she doesn't know you have the highest score in the class.
When a black man is stopped by a cop for no apparent reason, that is covert racism. When a black woman shops in a fancy store and is followed by security guards, that is covert racism. It is more subtle than 1960s racism, but it is still racism.
Even when black youth gangs target white strangers on the streets and spew out racial hatred as they batter them and rob them, mayors, police chiefs and the media tiptoe around their racism and many in the media either don't cover these stories or leave out the race and racism involved.
Being a little kid, you don't hear much about racism. You figure everybody's the same. If racism isn't taught, you're just a black kid and a white kid together.
The mainstream media choose to flaunt story lines that make white America appear guilty of continued institutional racism, while black racism against whites is ignored as an acceptable disposition given our nation's history.
This film isn't about "white racism", or racism at all. DEAR WHITE PEOPLE is about identity. It's about the difference between how the mass culture responds to a person because of their race and who they understand themselves to truly be. And this societal conflict appears to be one that many share.
White privilege is the other side of racism. Unless we name it, we are in danger of wallowing in guilt or moral outrage with no idea of how to move beyond them. It is often easier to deplore racism and its effects than to take responsibility for the privileges some of us receive as a result of it... Once we understand how white privilege operates, we can begin to take steps to dismantle it on both a personal and institutional level.
Here's the thing. We do a movie with a predominantly black cast, and it's put in a category of being a black film. When other movies are done with a predominantly white cast, we don't call them a white film. I'm trying to remove the stigma off things they call black films.
Related Authors
Amos Bronson Alcott Quotes
American
Educator
Bill Nye Quotes
American
Educator
Cornel West Quotes
American
Educator
Dean Ornish Quotes
American
Educator
Horace Mann Quotes
American
Educator
Jeffrey R. Holland Quotes
American
Educator
Jon Kabat-Zinn Quotes
American
Educator
Lucy Maud Montgomery Quotes
Canadian
Educator
Maria Montessori Quotes
Italian
Educator
Michael Pollan Quotes
American
Educator
Paulo Freire Quotes
Brazilian
Educator
Peter Kreeft Quotes
American
Educator
Randy Pausch Quotes
American
Educator
Stephen Covey Quotes
American
Educator
Temple Grandin Quotes
American
Educator
Timothy Leary Quotes
American
Educator