A Quote by Anthony Anderson

Romeo Must Die was the first film that I did where I was able to just be free as an actor. — © Anthony Anderson
Romeo Must Die was the first film that I did where I was able to just be free as an actor.
I played Romeo when I was younger, and I think I did a couple kind Romeo-like parts after that, and I kind of went, 'I mustn't do this again. I must always choose something that I don't know if I'm a good enough actor to play.'
I did a small, small thing in Quiz Show, where I was really just a glorified extra. But, you know, New York actor, few days on a film set: Great! I was probably making subway fare on the play that I was doing at the time. I always think of The Underneath as the first film that I ever did.
I'm probably not going to get married unless I live with somebody for 10 or 20 years. But these people, Romeo and Juliet, took a chance and they did it. We don't have the balls that Romeo did.
I'm probably not going to get married unless I live with somebody for 10 or 20 years. But these people (Romeo and Juliet) took a chance and they did it. We don't have the balls that Romeo did.
Competition is healthy. Competition is life. Yet most actors refuse to acknowledge this. They don't want to compete. They want to get along. And they are therefore not first-rate actors. The good actor is the one who competes, willingly, who enjoys competing. An actor must compete, or die...Peacefulness and the avoidance of trouble won't help in his acting. It is just the opposite he must seek.
Romeo: I dreamt a dream tonight. Mercutio: And so did I. Romeo: Well, what was yours? Mercutio: That dreamers often lie. Romeo: In bed asleep while they do dream things true.
Suddenly, this romantic agony was enriched by a less romantic one: I had to go to the bathroom. Needless to say, I couldn't let her know about this urge, for great lovers never did such things. The answer to "Romeo Romeo, wherefore art thou, Romeo?" was not "In the men's room, Julie.
I did a crazy version of 'Romeo and Juliet' once, and I played Romeo.
This Romeo character is something I decided to create, like my alter ego. So the name Romeo was invented from the original Romeo and Juliet. I wanted to show people I'm like a modern Romeo.
After drama school I did a seven-month tour of Europe performing in 'Romeo and Juliet.' I played Romeo.
What's nice about writing and making films is that being able to see a film from the outside - from the inception through production and then completion - just informs what you're doing when you're an actor. And when you're an actor, it informs the decisions you make when you're making a film. It's using two different sides of your personality.
My first professional role was in 'Romeo and Juliet,' and I played Tybalt, who was Romeo's enemy, in a small production of that in the U.K.
We've turned film into such an industry that we pursue naturalism just by shaking the camera and cutting the film to ribbons to provoke a bogus sense of documentary. But we haven't done the homework. To push the depth that the Actor's Studio did or the Russian theatres did with their actors is to rehearse, to spend time, to dig, to excavate.
To live fully, one must be free, but to be free one must give up security. Therefore, to live one must be ready to die. How's that for a paradox?
I was just 19 years old when I did my first film and had no plan to act, or to become an actor. It was like a paid holiday so that I could earn good pocket money and then party more with my friends.
Baz [Luhrmann] paid me one of the greatest compliments ever. I don't know him, really, but when I first met him I was congratulating him on ROMEO + JULIET - which I think is a wonderful adaptation - and he said, "Oh, well we couldn't have done it without your RICHARD III, which was an inspiration!" I've never quite checked up on the dates to see whether or if, in fact, we did our film before he did his.
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