A Quote by Anthony Bourdain

I always entertain the notion that I'm wrong, or that I'll have to revise my opinion. Most of the time that feels good; sometimes it really hurts and is embarrassing. — © Anthony Bourdain
I always entertain the notion that I'm wrong, or that I'll have to revise my opinion. Most of the time that feels good; sometimes it really hurts and is embarrassing.
Sometimes the truth hurts. And sometimes it feels real good.
I guess the thing I would say most fervently is that your original impulse to write something is an impulse you should trust, and that if it doesn't work on the first draft, which it hardly ever does, the commitment to revising ought to be something you embrace really early. And to revise and revise and revise.
I revise and revise and revise. I'm not even sure "revise" is the right word. I work a story almost to death before it's done.
You've always had a good grasp on what's right and wrong. You just have a hard time admitting that sometimes you choose the wrong.
I always remind myself that whenever I see a good review or hear a good opinion of a role that I've done that it's just an opinion, and therefore it's technically neither right nor wrong; it can't be. It's not a fact, it's not solid, it's not something you can bet the house on.
No matter how interminable something feels, there is always, always an ending. Sometimes that's good, and sometimes it's bad; sometimes it's a matter of indifference, and sometimes it's heartbreaking, and your life is never the same thereafter.
I never think any song really feels like a 'hit' - a song either feels good or bad, in my opinion.
Does it seem sometimes that you are always the one to break an embarrassing silence — and always by saying something more embarrassing than the silence?
Sometimes it feels like it hurts when you make a big purchase, so I really believe that the more expensive things should be gems that you keep in your closet, not trends.
Me and running don’t always see eye to eye. Some days it hurts more than others. But it doesn’t mean I don’t do it. I deal with it and I keep running because not everything that is good for you, always feels good for you.
I don't think immediate tragedy is a very good source of art. It can be, but too often it's raw and painful and un-dealt-with. Sometimes art can be a really good escape from the intolerable, and a good place to go when things are bad, but that doesn't mean you have to write directly about the bad thing; sometimes you need to let time pass, and allow the thing that hurts to get covered with layers, and then you take it out, like a pearl, and you make art out of it.
I am good in the fact that most of my reviews have been very positive really. I get pretty good reviews. There have been some that aren't - critical. I think they are extremely - the people that wrote them really don't understand what they are looking at quite frankly or have a very preconceived notion of what conceptual art should be or where I am at or the fact that I may change what I have done from what I did 20 years ago. But there is always some reason that they just sort of get it wrong. And so it certainly doesn't affect my work.
Most of the time, I don't really give people a chance. I have a wall up. I'm always protecting who I am. Thinking about my brand. I make it hard on people. Sometimes, it's a good thing. Sometimes, it's a bad thing.
She believes in love and romance. She believes her life is one day going to be transformed into something wonderful and exciting. She has hopes and fears and worries, just like anyone. Sometimes she feels frightened. Sometimes she feels unloved. Sometimes she feels she will never gain approval from those people who are most important to her. But she’s brave and good-hearted and faces her life head-on.
I've always believed that the most extraordinary results occur only when one feels unbound by any notion of constraint or limitation.
Sometimes I write drunk and revise sober, and sometimes I write sober and revise drunk. But you have to have both elements in creation — the Apollonian and the Dionysian, or spontaneity and restraint, emotion and discipline.
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