A Quote by Anthony Daniels

On a film set everyone is very cool. Well, blase really. — © Anthony Daniels
On a film set everyone is very cool. Well, blase really.
I don't think I could ever have a desk job, so I get to be mobile. I'm on set. I get to walk around kind of doing my own thing, being independent - it's just a really good vibe. Everyone on a film set is very happy, and they all love their jobs, so it's a cool environment to be a part of.
I think it's cool to play characters who are very joke-y and yet you can show a total serious, very somber side to them. You don't normally get that in a film - and in a [film] series especially. To be able to do that was really cool.
A film set is really delicate and people treat you very very well if you're an actor because they want you to be as comfortable as possible for you to do your work, but it really is just one in a team of many and usually 150 people.
I'm very manipulative towards directors. My theory is that everyone on the set is directing the film, we're all receiving art messages from the universe on how we should do the film.
Ridley creates a very immersive world, so when you walk up to a Ridley Scott film set you're in Ridley Scott's imagination, and it's a really comfortable, cool place to be.
I will say this: the first film that I was on was 'In the Heat of the Night', that Norman Jewison directed with Sidney Poitier. I'm on the set, and I'm totally taking it for granted. Everyone is working for everyone else and pulling for the very best, and it makes everyone better because you feel that effort and concern and appreciation.
We all just meet up and someone's house or the studio and we'll just jam and we'll lock into something that sounds cool. I'll go home with tracks of cool parts and work on words. Everyone in the band has a job to do and everyone knows their job and we all do it really well. So, when we're writing, we can just look at one another and say, 'OK, go write this part'. It's not just one person writing or producing everything - everyone's working to product what we have.
I get along with Australians really well. Everyone's usually really cool, and it's always a drag to leave.
I really liked the snake that breaks out of the cage in the beginning of the movie. I saw it in real life, and it was really cool. Really big and fat. The owls are cool as well, but you can't really pet them.
Ten years ago, it was really difficult for a young actress to walk onto a set and disagree with the director and having that be OK and have a conversation about it and everyone be cool with it.
I directed 'Death in the Gunj' which released in 2017. It got very good reviews and a few awards but did not do well at the box-office. But I'm not bothered. I made the film that I wanted to make. It was not a film for everyone.
What's interesting is that you can have a set that's very calm, very smooth, very cooperative... and end up with a terrible movie. And you can have a set that's really horrible as far as relationships and volatility, and come up with a great movie. Sometimes that energy gets infused into what ends up on film - it's interesting in that way.
A crowd urging you on to do well can be very encouraging. It's very fun. It can be a really cool feeling.
The 'Being Human' people were really cool and let me improvise. They had such a good working atmosphere. It was a cool set-up and a really good environment to be in.
Violence is a very ugly thing. Violence is often so casual on film, and made to look so cool and so sexy, but violence is a repulsive, repugnant act that human beings inflict on each other. It shouldn't seem to be cool and sexy, ever really.
Everyone feels like they would love to be a really cool bartender in a really cool bar, but you're still surrounded by people who want to destroy themselves with alcohol. When you look at it that way, it's not that much fun.
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