A Quote by Anthony de Mello

Every word, every image used for God is a distortion more than a description. — © Anthony de Mello
Every word, every image used for God is a distortion more than a description.
This is the key to understanding the virgin birth. God's Word is full of faith and spirit power. God spoke it. God transmitted that image to Mary. She received the image inside of her. .. the embryo that was in Mary's womb was nothing more than the Word of God. .. She conceived the Word of God.
...I don't see myself as a documentary photographer. I am more drawn to the image itself, rather than to the description of a scene. And, anyway, every image only halfway represents reality, whereas the other half is rather, more or less, fulfilling our imagination.
Look at Jesus Christ. Every time he was in trouble he used the Word of God. When he was tempted he used the Word. When he was suffering on the cross he used the Word.
In time of crisis, we summon up our strength. Then, if we are lucky, we are able to call every resource, every forgotten image that can leap to our quickening, every memory that can make us know our power. And this luck is more than it seems to be: it depends on the long preparation of the self to be used.
I quarreled with every word, every phrase and expression, every image and letter as if they were the last I was ever going to write. I wrote and rewrote every line as if my life depended on it, and then rewrote it again.
His whole mind and body seemed to be afflicted with an unbearable sensitivity, a sort of transparency, which made every movement, every sound, every contact, every word that he had to speak or listen to, an agony. Even in sleep he could not altogether escape form her image.
Every word and every deed, every thought and every gesture, even the simple act of paying attention can be a gift and therefore an echo of God’s life in us.
Your life is nothing more than a love story. Between you and God. Nothing more. Every person, every experience, every gift, every loss, every pain is sent to your path for one reason and one reason only: to bring you back to Him.
Because I am a Christian, therefore, every day in which I do not penetrate more deeply into the knowledge of God's Word in Holy Scripture is a lost day for me. I can only move forward with certainty upon the firm ground of the Word of God. And, as a Christian, I learn to know the Holy Scriptures in no other way than by hearing the Word preached and by prayerful meditation.
The world is filled to suffocating. Man has placed his token on every stone. Every word, every image, is leased and mortgaged. We know that a picture is but a space in which a variety of images, none of them original, blend and clash.
Dick Gregory used every syllable, every metaphor, every joke, every march, every incarceration, every hour of his life, to embarrass this country into providing a more perfect, perfect union.
Every word, every image, is leased and mortgaged.
Everything comes home, my mother used to say; every word spoken, every shadow cast, every footprint in the sand. It can't be helped; it's part of what makes us who we are.
I really feel every word to every song a lot more than I have in the past.
Poetry, even that of the loftiest, and seemingly, that of the wildest odes, [has] a logic of its own as severe as that of science; and more difficult, because more subtle, more complex, and dependent on more and more fugitive causes. In the truly great poets... there is a reason assignable, not only for every word, but for the position of every word.
The narrative image has more dimensions than the painted image - literature is more complex than painting. Initially, this complexity represents a disadvantage, because the reader has to concentrate much more than when they're looking at a canvas. It gives the author, on the other hand, the opportunity to feel like a creator: they can offer their readers a world in which there's room for everyone, as every reader has their own reading and vision.
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