A Quote by Anthony DeCurtis
People looked to Kurt Cobain because his songs captured what they felt before they knew they felt it.
Related Quotes
I knew [Kurt Cobain] and his daughter. And Courtney [Love] came and stayed at my house. R.E.M. worked on two records in Seattle and Peter Buck lived next door to Kurt and Courtney. So we all knew each other. I reached out to him with that project as an attempt to prevent what was going to happen.
Kurt Cobain, when he did his videos, you look into his eyes and he couldn't even face the camera; he was in pain and I'm angry about Kurt. This guy didn't have to die.
I never met Kurt Cobain, but I felt like I got to know him in a manner probably more intimate than anyone I've known outside of my family.
It was odd, she thought, how if one was alone, one leant to inanimate things; trees, streams, flowers; felt they expressed one; felt they became one; felt they knew one, in a sense were one; felt an irrational tenderness thus (she looked at that long steady light) as for oneself.
As a boy, I used to look at reproductions of Rembrandt's portraits... the people in his paintings were so real I felt I knew them... It is his empathy for the sitter, combined with his enjoyment and dexerity in handling paint that captured my imagination then, and is what I am striving for still.
So initially getting up on stage I was really nervous, I was like, 'wow, I'm going to be standing there and all these people are going to be looking at me?' But funnily enough it wasn't too traumatic. It felt quite natural because I felt I looked good and I knew how to do the poses.
I wish I would have known Kurt Cobain. I would have been the first guy there to get him help, doing anything I could have. I just felt like the people around him kind of let him down.
When you become famous, people can have a powerful yet illusory idea of who you are. You want to live your life, but still, you don't want to let anyone down. I know Ed Vedder, Kurt Cobain, Jerry Cantrell, all those guys felt it. They're smart, real, and all of a sudden, they're put on a pedestal.
Sometimes I felt lonely because I pushed people away for so long that I honestly didn't have many close connections left. I was physically isolated and disconnected from the world. Sometimes I felt lonely in a crowded room. This kind of loneliness pierced my soul and ached to the core. I not only felt disconnected from the world, but I also felt like no one ever loved me. Intellectually, I knew that people did, but I still felt that way.
I don't think of Kurt as 'Kurt Cobain from Nirvana'. I think of him as 'Kurt'. It's something that comes back all the time. Almost every day.
Kurt Cobain OD'd on heroin before committing suicide, but he also OD'd on fame. Cobain was like Basquiat: They both wanted to be famous, and were brilliant enough to make it happen. But then what? Drug addicts kill themselves trying to get that feeling they got from their first high, looking for an experience they'll never get again. In his suicide note, Cobain asked himself, "Why don't you just enjoy it?" and then answered, "I don't know!" It's amazing how much of a mindfuck success can be.
Hymns have always sounded like sung spells to me. I never felt included in the magic of the God songs I heard growing up - I knew I was going to hell before anyone ever told me that I was. People found comfort in this all-knowing source, but I felt frightened and found out. I developed some weird and very dramatic complexes.
I used to love Kurt Cobain, when he was telling people we're a pop band. People would laugh, they thought of it as good old ironic Kurt. But he wasn't being ironic.
I saw Frances Bean at a Blink 182 show. And she was with a guy who looked just like Kurt Cobain.
In Utero is a testament to the artistic vision of Kurt Cobain. It's kind of a weird record, and it's strangely beautiful at the same time. And if you look at Kurt's paintings and his drawings - he even did a sculpture for me - it's a rising, tortured-spirit person. It's kind of weird. It's done well, but it's like what Dave was saying about having your own sound. Kurt was a great songwriter. He knew he had a good ear for a hook [and was] a great singer, great guitar player, and In Utero is a good representation of what he liked in art and how he expressed himself.
To be honest, I felt more myself with that haircut. I felt bold, and it felt empowering because it was my choice. It felt sexy too. Maybe it was the bare neck, but for some reason I felt super-, supersexy.
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