A Quote by Anthony Doerr
I think fiction is important because it has the power to transport a reader into another life.
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I'm a compulsive reader of fiction. I fell in love with novels when I was a teenager. My wife Marilyn and I... our initial friendship began because we are both readers. I've gone to sleep almost every night of my life after having read in a novel for 30 or 40 minutes. I'm a great reader of fiction and much less so of non-fiction.
Ultimately, in my mind, that's what I'm trying to do with my fiction; I'm trying to transport my reader into a different world.
I think if a book has the power to move a reader, it also has the power to offend a reader. And you want your books to have power, so you just have to take what comes with that.
I only like naturalistic stories. I love short, fantastic stories that cast a spell over the reader, that transport you instantly to another place with another set of rules, somewhere imagined by someone else.
Now I began to understand art as a kind of black box the reader enters. He enters in one state of mind and exits in another. The writer gets no points just because what's inside the box bears some linear resemblance to "real life" -- he can put whatever he wants in there. What's important is that something undeniable and nontrivial happens to the reader between entry and exit.
Why do I write historical fiction? Johnny Tremain, The Witch of Blackbird Pond, Island of the Blue Dolphins-that's why. I'll never forget how it felt to read those books. I want to write books with the same power to transport readers into another time and place.
I think art, especially literature, has the particular power to immerse the viewer or reader into another world. This is especially powerful in literature, when a reader lives the experience of the characters. So if the characters are human and real enough, then readers will feel empathy for them.
We are in the transport business. We transport audiences from one place to another.
No one in my family was a reader of literary fiction. So, I didn't have encouragement, but I didn't have discouragement, because I don't think anybody knew what that meant.
The desire to be liked is acceptable in real life but very problematic in fiction. Pleasantness is the enemy of good fiction. I try to write on the premise that no one is going to read my work. Because there's this terrible impulse to grovel before the reader, to make them like you, to write with the reader in mind in that way. It prevents you doing work that is ugly or upsetting or difficult. The temptation is to not be true to what you want to write and to be considerate or amusing instead. I'm always trying to fight against the impulse to make my readers like me.
Many fiction writers write for the critics or for themselves; they forget the common reader. I never do. I don't think journalism clashes with my fiction; on the contrary, it helps enormously.
Because I think of novels as collaborative enterprises between the writer and the reader, all of my novels so far have ending with endings that maybe point in more than one direction, and that seems important to me because it seems important to me that after you've invested twenty or thirty hours of your imaginative life into this narrative that you have some stake in how it ends.
Fiction is more dangerous than nonfiction because it can seduce better. I think we all know this, know that deeper truths can be approached in fiction than in fact. There are risks for the reader, because after reading certain books you find you have changed irreversibly. There are risks for writers: in China, now, and Ethiopia and other countries right now, writers face real persecution.
It seemed uncanny that words, spread across a page just so, had the power to transport me to another time or place. But they could.
The most difficult part of writing a book is not devising a plot which will captivate the reader. It's not developing characters the reader will have strong feelings for or against. It is not finding a setting which will take the reader to a place he or she as never been. It is not the research, whether in fiction or non-fiction. The most difficult task facing a writer is to find the voice in which to tell the story.
I think education is power. I think that being able to communicate with people is power. One of my main goals on the planet is to encourage people to empower themselves." Another "I was raised to believe that excellence is the deterrent to racism and sexism. And that's how I operate my life." And another "It does not matter who you are or where you came from. The ability to triumph begins with you. Always.
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