A Quote by Anthony Edwards
I was always enjoying the moment. Acting, writing, looking for roles and getting involved with people and trying to create something that would be entertaining to people. With 'E.R.,' we were all very lucky to get this combination of people together in the right story in the right way to take it to the level it has reached.
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I never dreamed about being on a hit television series. I've never really related my dreams to that specific of a work goal. I was always enjoying the moment. Acting, writing, looking for roles and getting involved with people and trying to create something that would be entertaining to people. With "E.R." we were all very lucky to get this combination of people together in the right story in the right way to take it to the level it has reached.
Now I don't want to take roles just for money. It's like trying on the right dress. When you go shopping for a dress, you can try to make something work 'cause you can't find the right one, but you always have that memory of the time you put on the perfect dress and you were like, "Oh, my god, I love myself in this dress! I'm excited to go out and have people see me in this!" That's the way that I'm looking at the roles that I want to do. I'm not looking for anything specific, except for something that has heart, and that I will enjoy doing that feeds my soul.
I think that we are all in the right place at the right time almost every day. It's the people who are prepared to be lucky who can take advantage of being there. How do these people position themselves to be lucky? It was Goethe who said, 'Anytime that you take the first step toward trying to achieve something in life, all manner of good things will mysteriously fall into your path to help speed you along your way.' Amen to that!
I think the best war photos I have taken have always been made when a battle was actually taking place - when people were confused and scared and courageous and stupid and showed all these things. When you look at people right at the very moment of truth, everything is quite human. You take a picture at this moment with all the mistakes in it, with everything that might be confusing to the reader, but that's the right combat photo.
You'd be surprised how quickly our identities evaporate when we were able to connect with people on a very personal level because we're all really trying to chase the same dream, we are looking for the same thing, we're raising our kids, we're just trying to get along. And, right now we are able to show people, hey, I'm just a human being like you are, I've got to take care of my kids and my family just like you, how can I help you?
If you look at the story of 'The Get Down,' it's the story of young people, unknowns thrown together by their resources, trying to create something.
There's a unique component of music that is different from, the written pamphlet or a speech. There's something, when you get the right combination of rhythm, melody and the right lyrical couplet, that feels like truth in the reptilian brain. There's something hardwired in our D.N.A.. And when you get a large group of people singing together in solidarity, it's something that, in my experience, and I've played countless demonstrations and protests through the years, it's something that can really help a struggle.
The way you get your script to the right people is that you put it in an envelope. It's easy. The difficult bit is writing something that is so good people will take a punt on a brand new writer.
There was a time when 'Batman' really kept me from getting some pretty good roles, and I was asked to do what I figured were important features. However, Batman was there, and very few people would take a chance on me walking onto the screen. And they'd be taking people away from the story.
The living together is very important in a way. It's important for writing. It wouldn't be important if we were like just getting other people's numbers together, we'd just have to meet at rehearsals, but writing is something almost completely different.
You know, I'm a total perfectionist, and I labor over trying to get things right. Whether we're putting together an opening for the Masters broadcast or when I was writing with my friend Eli Stillman a book about my dad called 'Always By My Side,' I'm always trying to find a way to do something better.
To be very fair, it was Ian Marsh and Martyn Ware who started The Human League. They brought Philip Oakey in to sing, primarily because Philip was very tall. So it started out as their vision. I don't think anyone ever thought it would be as big as it became. Music evolves and people were looking for something different. We came out at the right time and were just very lucky.
When you're in operations, the best thing you can do at the top level is get the strategy right. You have to get the big ideas right, you have to determine what is the policy, what is the level of effort you're willing to commit to it? And then you delegate to those who have to execute that strategy to the appropriate level. What's the appropriate level? It's the level where people are trained and equipped to take decisions so we move swiftly against the enemy.
It's not something you can find. There's a moment you arrive at --- there's no words for it. A bunch of people come together at this place where a note hits your heart and your brain tells your finger where to go. It's an otherworldly thing, like when a painter gets the right combination of colors together.
We want experts, our finest people. We don't want people that are B level, C level, D level. We have to get our absolute best and the recommendations have to be a combination of defensive technologies tailored to specific agencies and every other discipline involved.
Every step on my way to becoming an artist seemed preordained. The right people were always in the right places at the right times to boost me to the next level. I was fortunate to be selected for a summer drawing class offered to teens at the Otis Art Institute of Los Angeles County.
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