A Quote by Anthony Fantano

For all its reverb and defiant noise, the sound of Black Tambourine barely reached past the borders of Washington, D.C., in the early '90s. — © Anthony Fantano
For all its reverb and defiant noise, the sound of Black Tambourine barely reached past the borders of Washington, D.C., in the early '90s.
A lot of the time, in pop music especially, there's reverb. And the reason is that reverb makes vocals sound better 99% of the time. It makes the notes ring out.
If I didn't have the reverb I'd be an unhappy camper. So I want reverb in my monitor mix. Reverb and a good level in my monitor and I'm all set.
You know we're in a planet surrounded by certain kinds of frequencies and noise. The earth's magnetic sphere makes weird sounds. The sun you know the heart of our solar system makes noise. Even interstellar phenomena like black holes. You know people have studied them and a black hole can emit sound in like the range of 20,000 octaves below B flat.
We have been getting out of the situation where we found ourselves in the early '90s, when the Soviet Union disappeared and the Russian Federation became what it is - you know, with no borders, with no budget, no money, and with huge problems starting with lack of food and so on and so forth.
But surely "Argh" is the sound of a sort of strangulated scream. "Aargh" is the sound of a stabbing, or a falling off a cliff. "Arr" is, I think, the noise you're looking for. It's the noise pirates make when they don't have anything better to do. "Arr, Jim Lad" = Pirate noise. "Aargh, Jim Lad" = sound of pirate falling off a cliff.
In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.
It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings.
Noise is the typographical error and the poorly designed page...Ambiguity is noise. Redundancy is noise. Misuse of words is noise. Vagueness is noise. Jargon is noise.
I made songs in the late '90s and the early new millennium that didn't succeed very well, but songs that I made in the late '80s, early '90s, they stood the test of time. I respect those songs for keeping me relevant.
If by noise you mean uncomfortable sound, then pop music is noise to me.
Every generation has a different ways of telling a story. We had a great run in the early '90s, into the mid-'90s, and we became a little more executive-driven as we got into the 2000s.
Reverb does that thing where you make one sound and it grows to 20 times its original size and fills everything up.
Like leggings, comedies created by women came into vogue in the late 1980s, exploded in the early '90s, went mainstream in the mid-'90s, and were shoved into the back of the closet around 1997.
Well, things hold up even if they sound dated. It can be very difficult to listen to 80s pop songs with really, really gigantic smashed drum sounds. You just want to turn that gated reverb down on the snare. It sounds wrong now. It sounds amateurish. And ugly. But at the time it sounded state-of-the-art. So yeah, I think it's important not to sound state-of-the-art in a way that anybody else is going to sound. Or you'll quickly sound like yesterday's state-of-the-art.
My guitar sound pretty much came from discovering there was reverb on my little practice amp and really loving the mood it created.
Yes, I went through overt racism as a footballer in the 80s and early 90s but that was, or is, nothing compared to what the average black person in the inner cities of England goes through every day.
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