A Quote by Anthony Fantano
Holiday Shores' ambition far exceeds its members' recording budget. The band's boyish vocal harmonies wash in and out with the tide, and reverb radiates from the guitars like heat off a sun-baked parking lot.
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Harmonies come really naturally to me. I don't have to labor too hard over them. I'll sing a lead vocal, and then I will immediately have all of these other ideas for vocal harmonies. I think that some of the most fun parts of recording, for me, are the vocal harmonies.
I feel like a lot of like the old-timey Christmas songs, the classics, a lot of it is very vocal. A lot of harmonies and, like, crooners, it puts you in that holiday spirit, I feel like.
Jupiter, a world far larger than Earth, is so warm that it currently radiates more internal heat than it receives from the Sun.
I conceived of a concept, a project, a band. The Tide. The Tide, acting as a sonic exemplar of flow and fluidity. The way of things. The way of nature. Guitars, rock and surf music, psychedelia, transcendence from everyday bourgeois consciousness.
Our vocal harmonies started to feel like a cop-out: all group-singing, all the time.
In many ways, I've chosen to be plain, almost too plain, too self-effacing. Like, if I record a vocal and I don't like the way it sounds, I would have them turn it up and take the reverb off it to make it as plain as possible.
Everything we do is different like we have photoshoots, then video shoots, rehearsals, vocal warm up days, learning all the different harmonies then we have recording days. Every day is different.
I've been good at creating new textures and new fabrics, like vocal hocketing, or interlocking guitars, or suggesting new ideas for style... that's what the band has really excelled at.
If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.
A lot of the time, in pop music especially, there's reverb. And the reason is that reverb makes vocals sound better 99% of the time. It makes the notes ring out.
I don't like when I see bands that are just a memory of what they used to be, and there's a few out there that I've seen recently that are still touring... I'm not gonna name them, but some of the members can barely play their parts, and then they have a lot of other members that weren't even originally in the band.
The way they heat their homes in Korea is to put bricks under the floors, so the heat actually radiates from underneath the floor.
I would say 'Bye Bye Love' is one of my favorite influential songs to this day, and ironically, they were so in sync with their harmonies that they sounded like one person. That approach to hearing and formulating harmonies stuck in my head, so when I joined the Eagles, my ear was trained to be able to hear a vocal that way.
The guys in my band are good friends on and off the stage. The band members that I have now is probably the best band that I have ever had.
I use Pureology Shampoo and Conditioner, and after shampooing, I'll put the conditioner on, go watch a movie, and wash it out later. When you have black girl hair, once we wash, we've gotta do the whole press and get in the edges and everything. That's a lot of heat to go back to straight on a daily basis.
There's a very old recording maxim that goes, 'Distance makes depth.' I've used that a hell of a lot-whether it's tracking guitars or the whole band. People are used to close-miking amps, but I'd have a mic out around the back, as well, and then balance the two. Also, you shouldn't have to use EQ in the studio if the instruments sound right. You should be able to get the right tones simply with the science of microphone placement.
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