A Quote by Anthony Fantano
Some art needs to be hung on the wall and stared at inquisitively, while other pieces require a more active approach.
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I do make some drawings for wall pieces. I do work out some ideas for large-scale wall pieces where I have to organize words or get proportions right. I do keep them in my files. Not an exhibit or a show; just as part of my records, my archives.
When we even use the term 'specialized world,' we already have a problem! We're making art; they are making art... these worlds are not far apart from each other. For instance, pieces of art that hang on a wall can be seen in museums or can be used in a variety of commercial ways. That art is everywhere, so the message is that it's a part of everyday life.
Saiman picked up a coffee mug, stared at it, and hurled it against the wall. It shattered into a dozen pieces. We looked at him. “Your date appears to be hysterical,” Rene told me. “You think I should slap some man into him?
Science is the process of crash testing ideas: you ram the idea head-on into a brick wall at 60mph, and knowledge is gained by examining the pieces. If the theory is solid, the pieces are from the wall. Then we build a bigger wall.
The man who has honesty, integrity, the love of inquiry, the desire to see beyond, is ready to appreciate good art. He needs no one to give him an 'Art Education'; he is already qualified. He needs but to see pictures with his active mind, look into them for the things that belong to him, and he will find soon enough in himself an art connoisseur and an art lover of the first order.
How many more copycats are waiting in the wings for their moment of fame — from a national media machine that rewards them with the wall-to-wall attention and sense of identity that they crave — while provoking others to try to make their mark? A dozen more killers? A hundred? More? How can we possibly even guess how many, given our nation's refusal to create an active national database of the mentally ill?
In period pieces or genre pieces, those have to be set in historical truths. But, science fiction has different game pieces. And with those game pieces come other stories we're not familiar with. So, science fiction teaches us how to relate to outsiders, to foreigners, and to not approach any of that with fear, but a genuine curiosity.
And I do think that good art - the art that tends to last - is that art that hits human beings on several different levels at once because everybody's different. Some people approach art through their emotions, others through their head, and the art that can appeal to all of those levels is more likely to reach more people. Having more people see the work doesn't necessarily mean better art but it stands a better chance of lasting.
The security world needs to take a more proactive approach. A lot of companies will know an exploit exists and they'll release the software anyways, and the patch later on. Stuff like this needs to stop. There needs to be some kind of agency that verifies code before it's released, maybe a grading system for code.
Art fairs are a lot like professional proms - you make contacts, have a lot to look at, and in some cases, you make friends forever. I think that for artists, they can be a bit controversial: they stimulate curiosity, but at the same time, you're always trying to not have your work hung on a wall.
Wanting a more positive environment isn't enough. You need to do something, and it doesn't require a great deal of effort or some huge change in the way you approach things at work.
As far as a wall is concerned, the experts actually say that in some places a wall is necessary, in other places a double wall is necessary, and in other places that a wall wouldn't help. So I'm for whatever it takes to secure our border with Mexico. We've got to do it. I'm for then enforcing our laws.
Seeing our kids' beautiful, colorful art hung on the wall brightens my heart and our home.
Remember, this is a binary choice. It's going to be the approach that Donald Trump takes or the approach that Hillary Clinton takes, not some other approach. And the Clinton approach is just a completely unacceptable one, it's an unlawful one.
My art collection is dominated by tribal art from Nigeria where I taught school, from New Guinea where we've travelled, and by Canadian Haida pieces. My own art is either on exhibition or owned by other people!
In my teens I fancied myself an artist; I hung out with the eccentric art teacher at my high school, painted still lifes and portraits and landscapes in watercolor and acrylics, took private lessons, won some blue ribbons for my earnest renderings. My lack of talent did little to dampen my enthusiasm. In college I thought I'd continue, but, like Salieri, I quickly realized that while I had the ability to appreciate art, I wasn't actually very good.
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