A Quote by Anthony Fantano

Brand New Wayo: Funk, Fast Times and Nigerian Boogie Badness 1979-1983' covers a short chunk of time in Nigeria's musical culture - one that might have lasted longer had the label spearheading the movement at the time, Phonodisk, not been so financially mismanaged.
I live half the year in Nigeria, the other half in the U.S. But home is Nigeria - it always will be. I consider myself a Nigerian who is comfortable in the world. I look at it through Nigerian eyes.
I've been a brand ambassador for Nigeria since I was age 11. Growing up in the U.K., I've had to defend Nigeria. and when I was 40, I finally woke up and decided to do something, and that's how the talk show came about.
I saw my parents go through tough times between 1979 and 1983. They almost split up.
Originally, after 'Tambourine' came out, another record was supposed to come out, but I had issues with my record label at the time, which was Interscope. We couldn't agree on a record, so that took some time. I had to leave them and find a new label.
It's an undeniable fact, that President Jonathan has done well for Nigeria in such a very short time, and I think he is the answer to the prayer of many Nigerians. I must not be President, but I have vowed to support anyone who shares the same vision I have for Nigeria. And take it from me, President Jonathan has surpassed my vision for Nigeria
Silence. How long it lasted, I couldn't tell. It might have been five seconds, it might have been a minute. Time wasn't fixed. It wavered, stretched, shrank. Or was it me that wavered, stretched, and shrank in the silence? I was warped in the folds of time, like a reflection in a fun house mirror.
The era I love most is the Federal period, just after the Revolution and the formation of the United States. The birth of America as a nation coincided with the Romantic era and I've always been thoroughly into the Romantics and I've always been thoroughly into America, particularly at the time when it was a brand new idea, when it was something brand new in the world. It was a very exciting time in the world because of the birth of America
When I think about the real pioneers of the psychedelic movement in a musical sense, not just the culture, everything had a handmade sort of vibe to it. We're inventing our culture as we move along into this.
If we consider eternity, into that time never entered; eternity is not an everlasting flux of time, but time is as a short parenthesis in a long period; and eternity had been the same as it is, though time had never been.
I had been wanting to do a musical for a really long time. I wanted people in New York to know that I can sing.
Often by the time writers and producers try to get a new hit song, the industry has already moved on. Whatever you're creating might not be as hot as it would have been during the time of your first hit. It definitely compromises the creative process when the music is changing and evolving so fast. If you're not on top of it, you will be forgotten.
I had an insanely long commute - New York to D.C. - when I worked at 'National Geographic.' I hate to waste time, so I spent my time by writing about my life on the premise that I might be able to pitch those as short essays to magazines. It wasn't until later that I realized that I was writing a book.
To make a label change is a difficult time because there is that lag period between the product you had out and the next project you're going to make on your new label.
I believe that the racial injustice which existed such a short time ago probably would have persisted longer if the color barrier had not been broken in baseball.
Any musical form that has been around long enough to have cultural resonance beyond just being a cutting edge kind of communication - but, especially, when it begins to reflect on a time and reflect on a culture - is effective in a musical.
Nigeria is not a nation. It is a mere geographical expression. There are no 'Nigerians' in the same sense as there are 'English,' 'Welsh,' or 'French.' The word 'Nigerian' is merely a distinctive appellation to distinguish those who live within the boundaries of Nigeria and those who do not.
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