A Quote by Anthony Gonzalez
Facebook is fantastic because it gives me contact with my fans, but I feel like it's not about the music anymore - it's about how many friends you have on Facebook and your Instagram pictures. I hate that. I feel so bad for the talented new bands that are working so hard, and they have to fight with these monsters where it's all about the appearance. I don't want to be a part of that - going to a festival and taking a selfie on stage. I feel like it's such bad publicity for music and for true artists, and I'll try to fight as hard as I can to not be like that.
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About
Anymore
Appearance
Artists
Bad
Bands
Because
Contact
Facebook
Fans
Fantastic
Feel
Festival
Fight
Friends
Gives
Going
Hard
Hate
How
I Hate
Instagram
Like
Many
Many Friends
Me
Monsters
Music
New
Part
Pictures
Publicity
Stage
Taking
Talented
True
True Art
True Artist
True Artists
Try
Want
Working
Working So Hard
Your
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I feel like it's not about the music anymore-it's about how many friends you have on Facebook and your Instagram pictures. I hate that. It's such bad publicity for music and for true artists, and I'll try to fight as hard as I can to not be like that.
Now on Facebook I have all these 'friends' who used to bully me, and they're like, 'We're so proud! We love you!' They come to shows and want to take a picture, and they're like, 'Don't you remember us?' And I'm like, 'I'm sorry, I don't.' And I feel bad, but I feel good.
I feel like there isn't as much mystery to music anymore. That could be a good thing or a bad thing. There definitely is no seperation anymore. Your connection with your fans is like two clicks away on a phone with a Twitter or a blog. I think that's a good thing. It's a new music industry. You're really connected with your fans.
I think for us, we don't feel like the future of music is in the act of being a record company. We feel like the future of the music business is in empowering artists to have better and better tools to communicate with their fans. We want to be people who are saying to artists, "Look, you don't need that company over there to release your album. You can do it this way." Almost more of a band partnership than a label-artist relationship. Not about ownership of content, but about empowerment.
I feel like, these days there's so much music and so many bands, that it's exciting to hear when people go through the whole process with their own sort of system of making the music. It gives it a much more personal individual feel, like unique feel, when somebody has a really idiosyncratic set-up, or they just have what might be considered strange ways of going about the process that yields results that are not just cookie-cutter sounds like everything else... and I think that can only be a positive thing.
You try to shut the criticism out, but it's pretty hard to do. You see people on the street, friends, people that you know are in your corner, and they come and tell you how bad they feel, and that's not the kind of conversation you want. I don't want anyone to feel bad for me.
As a fan of music, I don't like that artists release one body of music a year and then disappear because it's hard to relate to that. I wanted to be able to bring my fans along on my journey and have them really feel like they're living my life with me.
I love the live shows when they're on and all singing great but I hate it when the judges say bad things about their singing. I feel sick because I feel it is mean because I've done the reality TV thing so I have such strong memories of what it feels like and I just imagine how bad and how nervous they must feel.
It's not hard for me to be honest with my fans because that's what I set out to do from the beginning - I've based my entire career off of just trying to do that for them - but I always kind of forget that my real life friends can hear my music and they can watch my interviews if they want and that's when I get kind of like- "oh..." - I don't necessarily sit down and talk to my friends about all the things that I write my music about, because it's easier for me to write music than to sit and talk to my friends about it sometimes- it's almost like writing in a diary.
I feel like something has changed for me, but it’s a new change, so it’s going to be hard for me to describe. Maybe it has something to do with turning 30. I don’t feel as shy or nervous or self-conscious. I have more confidence that I can handle what life brings me. I don’t feel scared to have an idea and express it. I feel giddy about it because it’s a complete transformation. It’s like I’ve found my voice.
I sort of felt like being young was normally written about as being very fun and light-hearted. And I think that's true, but I don't feel like there's a lot of songs about how hard it is when you don't really know who you are or what you want, and you feel like you have to apologize for simply just existing.
Everything my fans tell me is the way I felt when I was a Tupac fan coming up. My fans tell me, 'Boosie will make you feel like you was in the household watching everything that was happening to me, with your music.' That's how Tupac made me feel, like everything he was talking about I was living. My music do that, you know?
I'm ready. I feel like I can't be beat. You have to feel like that being a fighter. I just feel like this is a bigger type of energy. I feel like I've beaten so many odds. I feel kind of invincible. It's going to be a good fight.
I listen to a lot of songs, and they aren't talking about anything. I don't connect with them. I'll listen to something like Musiq Soulchild's 'Just Friends,' and I'm like, 'Wow, I really feel what he's talking about.' That's how I want people to feel about my music.
So when you're talking about lyrics in the context of music, it's not just about what the words mean, and what you were thinking about when you wrote it. It's not cognitive in that same way. It's almost like music turns words into touch, which is hard to describe, like the feeling of your shirt on your back. It's a pretty delicate thing to try to put into words. You just feel it.
I feel like I've been doing performing my entire life. I started taking music lessons and singing when I was about ten. I didn't have one of those creepy stage moms that made me do stuff. I started bands at a pretty young age and played with my friends back in Detroit. I've always known that I wanted to do this. It was all I was ever interested in doing. I never had, outside of music, any extracurricular activities that I took part in.
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