A Quote by Anthony Green

For me, making music in general is a therapeutic process. It began as a way for me to meet friends, and when you're a kid just screaming your face off, you're processing anger; you're processing all the things that happened to you, whether it's mistrust or confusion, whether you've gone through abuse.
I wouldn't make it through the day without singing. It is my solace and my meditation and my release. It lets me know how I'm processing things, what I'm processing, if I'm out of touch in some area.
You can always accuse my records of being harrowing or dark or bleak. There is processing of trauma on my records and they contain a lot of healing. As a person who has been watching other's rage for years, instead of having my own tantrums, I keep the feelings inside until I can find a way of making them into music. The songs are like healing spells and it really works for me. When I really do a good job on a song, it gets rid of a weight. As far as hope goes, there is hope that you can heal through processing stuff and make it through to the other side. That's all I can hope for.
An individual's ability to draw is... the ability to shift to a different-from-ordinary way of processing visual information - to shift from verbal, analytic processing to spatial, global processing.
I think you can hear, when you listen to someone's music, whether or not they're enjoying making it - it's so great to hear music where you can tell the person making it was just having a blast. That's really important to me as far as my process goes. That's probably why my music ends up being so poppy!
I have trouble sleeping, at the end of the night. There's a lot of stimulus and my brain is processing a lot of different arcs and personalities. I'm always processing things, so I don't sleep.
Self-discovery is so important in identity processing: who you hang out with, what clothes you wear, what shows you see. As a kid, I found out about things through friends. I would go to hardcore shows with 50 people.
When you're in a daze - whether it's from running or a hangover or whatever else - I think that ideas from your subconscious can slip through more easily. The way that I write songs, for what its worth, when I'm playing music, if it's good music it will bring images forward into my mind and then I'll write down what the images are and that becomes the lyrics. I think that process is just easier if the superego has just gone away in disgust for the day.
The problem with natural language processing and the thing that really holds the technology back, is that when it crashes and burns, it's horrific. I think we would be in a position to really take a serious look at it, once two things happen. The interesting thing about a dialogue-choice system is that we've devoted so much into all kinds of other systems for processing, and dialogue choices use zero processing. So suddenly, if you want to have a great natural language processor, you need to dial down your graphics to make it work.
Processing the human raw material is naturally more complicated than processing lumber.
There are some people who believe that dreams really are just kind of a throwaway thing. They are just a way of your brain processing what's happening during the day, but there's really no meaning to them; a lot of imagery of just flashes of what happened.
A lot of evidence shows that most of our cognitive processing is unconscious - phenomenal experience is just a very small slice or partition of a much larger space in which mental processing takes place.
The best pay off in the world is when someone comes up to you and says, 'your music has helped me with some pretty rough times through life. I don't know if I would still be here if it was for your music whether it be country music or heavy metal has done for me.' That's ultimately the biggest payoff for me. I hear it from young kids to military guys and military women to older folks.
Music became my way of processing things and a way to gain confidence.
I'm doing a lot of cognitive processing. I'm gathering research. I'm processing it. I'm arranging the data. I'm sorting out the narrative. I'm designing. It's almost as if I do all the cognitive work that you then don't have to do. I digest it, process it, and then offer something that's very easy for you to digest.
Writing, for me, is an extension of thinking - it's my way of processing, and only when I've gotten something down on the page have I thought through it fully.
We all need ways of processing things. I think I was called to music because it was this thing that was always there for me that I could pour my heart into safely.
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