A Quote by Anthony Hamilton

Creatively, I'd like to achieve not only being an artist, but being a businessman and having my own music home. — © Anthony Hamilton
Creatively, I'd like to achieve not only being an artist, but being a businessman and having my own music home.
When I got into the music industry, I wasn't focused on being the most famous artist or even getting a major record deal. It was just to make music on my own terms or create my own image, do my own hair, do my own makeup.
I am an artist, and I understand the pros and cons of being an artist, and the pressures of being an artist, and how much being an artist can be torture to people around you; you know, you friends and your family and how material you can be, and how it's hard to take criticism and all the things like that.
To be a qawwal is more than being a performer, more than being an artist. One must be willing to release one's mind and soul from one's body to achieve ecstasy through music. Qawwali is enlightenment itself.
A man cannot be comfortable without his own approval. There is nothing more satisfying than that sense of being completely "at home" in your own skin. When you achieve that as a natural state of "being", then you can finally look beyond yourself and fully contribute all your talents to the world.
I've learned a lot about being in control of your career - and that being positive and believing in yourself goes a very long way. And creatively, the music needs to sound like it's come from you, not someone else who's choosing the songs for you.
[Being in the States] is almost like being on a holiday. It's kind of annoying because everyone's like "Oh, you're so obsessed with America," but it's not really that. I just really enjoy being here - I'm not the first British artist to make music here and be inspired by the country.
The people, the culture... there's so much magic in Colombia, so I feel like being a kid, being able to have that, being able to also call Colombia my home, it was such an important part of my introduction as an artist, too, because it's such a big part of my life as a human being.
By the time it came to the 90s, the late 90s, being a businessman was the beacon to uphold. We've been having the concept of the best rapper equals the best businessman.
I do feel like L.A. has a very supportive and collaborative energy. I felt that in New York too but also there's so much space here! You can have a home studio. In New York you had to rent a room to do a session or to practice. As a solo artist, it was a lot more expensive. Here there is that comfort in lifestyle a little bit more, being able to breathe a little bit more, and creatively flow, not having to stress about how to get our gear there in a cab and pay by the hour, it's just a different vibe.
I like to think about music as a sport. But only in terms of golf, as far as the course being music and me being the golfer. So it's competitive but only with yourself. With the last one doing well, it made it a challenge to feel like I was improving in some way.
The ugliest spectacle is that of artists selling themselves. Art as a commodity is an ugly idea... The artist as businessman is uglier than the businessman as artist.
Being a talented artist is good, it's nice, but it's not the most important thing. I think being a good storyteller, having a good idea, a good gag, is probably more important than being a great artist.
The golden rule would be to write a great, authentic song that is well produced and it will find its home. The audience can feel whether or not the artist is being genuine in their music. It's up to the artist to have the courage to reveal their truth through their songs.
Exhibitions of minority art are often intended to make the minority itself more aware of its collective experience. Reinforcing the common memory of miseries and triumphs will, it is expected, strengthen the unity of the group and its determination to achieve a better future. But emphasizing shared experience as opposed to the artist's consciousness of self (which includes his personal and unshared experience of masterpieces) brings to the fore the tension in the individual artist between being an artist and being a minority artist.
I like to relax a lot the night before a race. I like having people around me. I don't like being on my own, particularly. Music helps psych you up, too.
I'm used to having big movie cameras in my face, I pretend that they're not there. But I actually like being on my own, I like being in the space.
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