A Quote by Anthony Heald

Our job as actors, especially in front of a camera, is almost like textile artists. We spend so much time getting the right texture of yarn, and working out the color scheme, and binding off the weave, and making it just right.
I'm paid to be lucky and that means making your own luck - getting yourself in the right position, in front of the right subject at the right time, and in the right light.
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
I always just wait for the right material to come to me. Many times people ask, "What have you been up To?" Well, I'm here and working. Just not in front of the camera as much as I'd like to be.
Great actors are so easy to direct. It's like they're big 747s that you just have to move left and right, and I don't really need to direct. I need to put them in the right costume, with the right haircut, in the right location, and with the right actor to act with. And then my job is almost done, with a great script, obviously.
When you add up the minutes you spend actually making a movie - the amount of time you spend actually doing your thing in front of a camera - it just isn't that much. But it's everything.
Everybody has to be accountable on every play. The main thing is that we have to do our job. Going through all of the keys, making sure we are making the right reads, blocking the right person and getting the right route depth. Everything.
Received wisdom is that if you spend time up front getting the design right, you avoid costs later. But the longer you spend getting the design right, the more your upfront costs are, and the longer it takes for the software to start earning.
Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it. Then you spend half a year in a dark room editing your film, and you don't talk to anybody.
It's just hard when you've spent so much time on something, writing and recording, laying the vocals, getting the hook right, getting the beat right, making everything sound right - you spent a freaking week trying to make it sound perfect, and someone comes along and shoots it down.
My time off is usually spent working out and getting better at football. When I come home and spend time with my little brother, we're out on the football field. We're working out or playing Madden. We're spending time with each other, but our quality time is football.
I remember when my daughter was twelve, suddenly a boy started hanging out in front of our house after school. It was this kid, Justin. My office at the time was right in the front, so I just looked out the window. I couldn't write. I couldn't concentrate. I was like, "What are you doing? What do you expect to achieve by standing in front of my house with my daughter inside?" I hated that kid so much.
The better job we do of getting the right fans in the right seats at the right time, the more money our clients are going to make.
I love working with actors. If you cast the right person in the right part at the right time, they make you look like a better writer and director than you really are.
McLeod's Daughters was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera. I learned a lot of technical aspects that you take for granted once you know them, but you have to learn them somewhere, along the way. It was a bit of a training ground for me, working in front of the camera and also dealing with media.
Making mistakes, getting it almost right, and experimenting to see what happens are all part of the process of eventually getting it right.
My great joy in working on anything is stepping out in front of the camera and working with the actors.
This site uses cookies to ensure you get the best experience. More info...
Got it!