A Quote by Anthony Hopkins
It's such a pleasant surprise when you come on set and you find someone in charge like Ken Branagh or James Ivory. You know that you're going to do a day's work and at the end of it, it's going to be good.
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Every defensive end who is going to be picked in the first round is going to be a good pick for whoever they're chosen by, but if I had to tell you what sets me apart, that would be my desire and determination to get better. I know what I need to work on, I know my weaknesses, but I have that work ethic to improve every day. I have that want to be the best player at my position, and I have the belief in myself that one day that will come true.
Then the challenge is, once you left brain it and build it, then when you're on stage you have to know it so well that you can get lost in it. I don't want to be onstage looking like a robot, I want to be at the end of the day very emotional and what feels like someone being up there rather than reciting things. That's always the challenge, to analyze and then somehow lose yourself in something you absolutely know backwards and forwards. And nothing's going to surprise you, but you have to be surprised by it and let it surprise you.
He likes a day in the studio to end, he says, "when my knees are all skinned up and my pants are wet and my hair's off to one side and I feel like I've been in the foxhole all day. I don't think comfort is good for music. It's good to come out with skinned knuckles after wrestling with something you can't see. I like it when you come home at the end of the day from recording and someone says, "What happened to your hand?" And you don't even know. When you're in that place, you can dance on a broken ankle.
In a very philosophic sense I think doing the work is itself a good thing. But at the end of the day, since we're taking other people's shekels to do it, and their work is being able to make a return out of it, it forces you to consider the fact that you're doing it for other people. The whole construct is built around the assumption that it's going to get shared, and that someone else is going to find value in it - entertainment, catharsis, enlightenment, or whatever.
At the end of the day it's going to hurt your feelings if someone says something mean about you, but I've learned to take a step back and ask myself if it's really going to affect me, if this person who I'm never going to know or meet doesn't like me - and it doesn't.
To work with Ken Branagh was amazing; it was always a dream of mine to work with a man as creative and talented as that.
Drug users made me. They taught me. I didn't know how to work a scale; I didn't know what a gram was. Drug users taught me the business. They're going to teach it to the next guy, because they want a good drug dealer, one they can trust, one that's not going to rob them, one that's not going to cheat them out of their money, one that's not going to sell them fake dope. That was me. They're going to find another one because they're going to be looking for that guy every single day until they find him.
I'm afraid of sudden death. I'd like to know I'm going to die. That's why death row wouldn't be so bad, although it's not pleasant. And cancer, inoperable, wouldn't be bad. That's not pleasant either. But to drop dead suddenly, it's hard on everybody else. My family, my relatives, my friends. It's just not a good way to go. I want to know I'm going to die.
At the end of the day, it's not where you get drafted. It's not going to set you in stone with how good you're going to be in your NFL career. Obviously, it's being surrounded by the right people, the right coaches, how you present yourself, how you work hard.
I think the beauty of documentary work is that it's a mystery - you never know where it's going to lead you. You start out with some notion of it, but it's very different from a script. A script you write, you shoot against, and you know what the story is going to be. There's always the element of surprise, but the surprise comes from performance, from something that's improvised, it comes from someone who sees it inside an already determined framework. In documentary, it's never determined. It's never the same, and affords enormous possibility.
There are no rules when it comes to love. I just try to let love surprise me because you never know who you’re going to fall in love with. You never know who’s going to come into your life - and for me, when I picture the person I want to end up with, I don’t think about what their career is, or what they look like. I picture the feeling I get when I’m with them.
Every day I would come to set [of Swiss Army Man] going like, "How are we going to do this?".
When you're doing a live-action movie, you have your day set up and you're going to do this shot and this shot, and eventually the sun is going to go down. It's a sequential race to whatever is going to end the day.
At the end of the day, I know what my skill set and abilities are, and it's just going to take people a little while to recognize it. Whether that comes around or not, I'm not going to sit here in the corner and pout about it.
I think I had a good rookie year, but at the end of the day, I want to be one of the best tight ends ever to play, and I'm going to set my standard for that and work toward that goal.
Well, the truth is that we are all mystical and that there is something going on that can't be explained. Outside of the day-to-day stuff like getting up going to work, we all have something going on within us, and we all know that there is something going on - we're spiritual creatures and we are very powerful.
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