A Quote by Anthony Hopkins

And I love a scary movie. It makes your toes curl and it's not you going through it. — © Anthony Hopkins
And I love a scary movie. It makes your toes curl and it's not you going through it.
Think about love, or hate, or joy, or pain- whatever makes you feel something, makes your palms sweat, or your toes curl. Focus on that feeling. When people don't express themselves, they die on piece at a time.
Try pitching a story of happiness to your editors and their toes are going to curl up.
Try pitching a story of happiness to your editors, and their toes are going to curl up.
I was in the very first Scary Movie and then the last Scary Movie 4, so I don't know. I heard they're doing another one, but I'm not sure yet. Of course, I'd love to work on Scary Movie 5. That'd be great.
When I bite you, it'll be because I want to make your toes curl and your hair stand on end. And you won't need stitches afterward. You'll need crutches.
I feel like it's always important to curl your eyelashes. I always do when I wake up and you know you look tired, when you curl eyelashes and put mascara it makes such a huge difference, so that's the trick that I always use.
When somebody is making a movie about your life, that's different. A show is a live performance. Things are going to go wrong. You are going to get away with things. A movie is indelible. A movie is through a microscope.
I feel like at the end of your days, the last thing that's going to happen is that you're going to watch the movie of your life. It's very important to make sure that you love your movie and that you want to watch your movie, so I try to always make sure that I'm doing something fun and interesting.
What I get really excited about are movies that I connect with emotionally. 'Deliverance' was on TV, and they don't really make movies like that anymore, just simple and scary. The truly scary thing is, 'I'm going to threaten your life, I'm going to threaten the people you love. What are you going to do about it?'
You shoot yourself in the foot when you think, 'We have to get a good scary movie director to do a script by another scary movie writer.'
How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?
I love scary movies and respect the filmmakers of scary movies, and it's just as hard to make a great scary movie as it is to make a great comedy or drama or anything else.
Taste speaks through a turn of phrase, a curl of the lip, a shrug of the shoulder: it makes an atmosphere.
The movie on the screen is always going to be different from the movie in your head. How it makes you feel is what I'm after, what I'm chasing, and what I'm trying to construct.
I've seen a lot of movies that were great and scary, but not particularly fancy in their filmmaking or performance. And they're still scary, and I think a good horror movie should be scary above all things.
'Scary Movie' was a different type of comedy than I'm used to. I've mostly done sitcoms, so working with David Zucker, who wrote the film and who directed the last two 'Scary Movie's and 'Airplane' and 'Naked Gun,' was a lot of help.
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